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Un Chien Andalou (1929)

Un chien andalou (original title)
Not Rated | | Short, Fantasy, Horror | 6 June 1929 (France)
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0:42 | Trailer
Luis Buñuel and Salvador Dalí present 21 minutes of bizarre, surreal imagery.

Director:

Luis Buñuel (as Louis Bunuel)

Writers:

Salvador Dalí (scenario) (as Salvador Dali), Luis Buñuel (scenario) (as Louis Bunuel)
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Cast

Complete credited cast:
Simone Mareuil ... Young girl (as Simonne Mareuil)
Pierre Batcheff ... Man (as Pierre Batchef)
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Storyline

In a surrealistic film with input from Salvador Dalí, director Luis Buñuel presents stark, surrealistic images including the slitting open of a woman's eye and a dead horse being pulled along on top of a piano. A mysterious film open to interpretations ranging from deep to completely meaningless, this short (17-minute) film certainly presented something new in the cinema of its day. Written by garykmcd

Plot Summary | Add Synopsis

Genres:

Short | Fantasy | Horror

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France

Language:

French

Release Date:

6 June 1929 (France) See more »

Also Known As:

An Andalusian Dog See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Silent

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

During the bicycle scene, the woman who is sitting on a chair while reading throws the book aside. The image it shows when it lays open is a reproduction of a painting by Johannes Vermeer. Vermeer was a Dutch painter greatly admired by Salvador Dalí, and Dalí often referenced Vermeer in his own paintings. See more »

Alternate Versions

The film was re-released in 1960 with soundtracks. See more »

Connections

Featured in Raakavedos (2016) See more »

Soundtracks

Tristan und Isolde: Liebestod
(Opera)
Written by Richard Wagner
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Frequently Asked Questions

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User Reviews

 
Surrealist as well as disturbing short movie with strange scenes , unsettling nightmares and shocking imagery
31 July 2013 | by ma-cortesSee all my reviews

This famous film starts in a dream-like sequence, a woman's eye (a cow's eye was actually used) is slit open and juxtaposed with a similarly shaped cloud obscuring . After that , there take place several bizarre events such as a man has a hole in the palm from which ants emerge , it is shown literally ; later on , a man pulls a piano along with the tablets of the Ten Commandments and a dead donkey and two priests being dragged with the piano (a priest is Salvador Dalí) ; a woman pokes at a severed hand in the street with his cane (legend has it that the severed hand used in the street scene was a real hand, and Dali convinced a man to cut it off in exchange for enough money to buy lunch) , among others .

Abstract film that marked strong polemic in the epoch when it was realised , especially its sliced eyeball at the beginning , and still packs a punch even nowadays . In fact , at the Paris premiere, Luis Buñuel hid behind the screen with stones in his pockets for fear of being attacked by the confused audience . After editing the feature , Luis Buñuel and Salvador Dalí didn't know what to do with it , as an acquaintance introduced Buñuel to Man Ray, who had just finished Les Mystères du château Dé and was looking for a second film to complete the program , the two movies premiered together at the Studio Ursulines ; it made a deep impression on the Surrealist Group, who welcomed Buñuel into their ranks . The movie contains several references to Federico García Lorca and other writers of that time . The rotting donkeys are a reference to the novel "Platero y yo" by Juan Ramón Jiménez, which Luis Buñuel and Dalí hated . In 1960, a soundtrack was added to this film at the direction of Luis Buñuel , he used the same music which was played , using phonograph records , at the 1929 screenings-extracts from "Liebestod" from Richard Wagner's "Tristan and Isolde" and two Argentinian tangos.

This rare short belongs to Luis Buñuel's first period and has been voted as one of "The 25 Most Dangerous Movies" . After moving to Paris , Buñuel did a variety of film-related odd jobs , including working as an assistant to director Jean Epstein . With financial help from his mother and creative assistance from Dalí, he made his first film , this 17-minute "Un Chien Andalou" (1929), and immediately catapulted himself into film history thanks to its disturbing images and surrealist plot . The following year , sponsored by wealthy art patrons, he made his first picture , the scabrous witty and violent "Age of Gold" (1930), which mercilessly attacked the church and the middle classes, themes that would preoccupy Buñuel for the rest of his career . That career, though, seemed almost over by the mid-1930s, as he found work increasingly hard to come by and after the Spanish Civil War , where he made ¨Las Hurdes¨ , as Luis emigrated to the US where he worked for the Museum of Modern Art and as a film dubber for Warner Bros . He subsequently went on his Mexican period with "The Great Madcap" , ¨Los Olvidados¨ , ¨The brute¨, "Wuthering Heights", ¨El¨ , "The Criminal Life of Archibaldo De la Cruz" , ¨Robinson Crusoe¨ and many others . And finally his French-Spanish period with notorious as well as polemic films such as ¨Viridiana¨ , Tristana¨ , ¨The Discreet Charm of the Bourgeoisie" and his last picture , "That Obscure Object of Desire" .


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