Wealthy Cynthia is in love with not-so-wealthy Roger, who is married to Marcia. The threesome is terribly modern about the situation, and Marcia will gladly divorce Roger if Cynthia agrees ... See full summary »
Cecil B. DeMille
Angela and Bob Brooks are an upper class couple. Unfortunately, Bob is an unfaithful husband. But Angela has a plan to win back her husband's affections. An elaborate masquerade ball is to ... See full summary »
When the U.S. forces withdraw from Java, ahead of the Japanese invasion, U.S. Navy doctor Corydon M. Wassell coordinates the remaining wounded servicemen and leads them to safety towards the last Allied evacuation points.
An unimpressive but well intending man is given the chance to marry a popular actress, of whom he has been a hopeless fan. But what he doesn't realize is that he is being used to make the actress' old flame jealous.
Two American soldiers are captured by the Germans on the Western Front during World War One and escape a POW camp only to stumble into further life-threatening adventures when they come across an Arabian king's daughter while on the lam.
High school students led by the Girl and Boy turn from Christianity toward secret atheistic meetings. When a girl is accidentally killed by a stairway collapse, the Girl and Boy go to reform school where they are treated brutally.Written by
Ed Stephan <firstname.lastname@example.org>
During the filming of the fiery climax, Lina Basquette was actually burned rather badly. Her eyebrows, singed off by the heat, never grew back properly, according to her. See more »
Judy, daughter of Atheism... Bob, son of Gospel... Intolerance versus Intolerance.
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Predictably, the film ends with Judy turning from atheism and believing in God. Director Cecil B. DeMille was surprised to find that the film was very popular in Soviet Russia, until he learned that it was being shown without the final reel showing the transformation. See more »
Dramatic silent film with score not stolen from Paul Simon
I don't usually like silent movies, finding them boring. But this one is actually very good and even quite dramatic. I wanted to comment on something said by another viewer about the score by Carl Davis. They said that the composer had stolen Paul Simon's "An American Tune". Actually, Paul Simon borrowed the theme from Bach's Chorale "Erkenne mich, mein Hueter" from the St. Matthew Passion. This is the actual theme that Mr. Davis used in his score, and he did give credit, listing this and other sources of his themes in the credits at the end of the film.
Also, while my wife and I watched the movie on TCM, we did not see any scenes with spoken dialog as another reviewer mentioned, even though TCM showed a version based on Cecil De Mille's personal nitrate print from George Eastman House. Maybe this version tried to recreate the film as originally envisioned as a full silent film with music.
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