George Bryan Brummel, a British military officer, loves Lady Margery, the betrothed of Lord Alvanley. Despite her own desperate love for Brummel, she submits to family pressure and marries ...
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A young socialite and a rich playboy elope to Atlantic City. However, she soon realizes he's not the man she wants him to be and tries to call off the wedding. A jewelry store robbery, murder and other mayhem are soon involved.
In 1796, Captain George Brummell of the 10th Royal Hussars Regiment offends the Prince of Wales with his straightforward outspokenness and gets fired from the army but is chosen as the Prince's personal advisor.
Cheri-Bibi is an escape artist wrongly imprisoned for murdering the wealthy father of his admirer Cecile. The real murderer is Cecile's fiancé, so how will Bibi escape his death sentence and win back Cecile?
Carol feels, for whatever reason, that her husband, John, has grown indifferent to her, and is on a quest to find out why, suspecting another woman. She sees the family physician, Dr. Swope... See full summary »
George Bryan Brummel, a British military officer, loves Lady Margery, the betrothed of Lord Alvanley. Despite her own desperate love for Brummel, she submits to family pressure and marries Lord Alvanley. Brummel, broken-hearted, embarks upon a life of revelry. He befriends the Prince of Wales and leaves the army, becoming subsequently the best-known rake and decider of fashion in Europe. As his affairs flourish, so does his disdain for his benefactor, the Prince. Eventually Brummel falls into disfavor, and it is only Lady Margery who has any chance of helping him.Written by
Jim Beaver <email@example.com>
During filming, John Barrymore (I)and Willard Louis would replace their scripted dialogue with dirty jokes and foul language, thinking no one would notice in a silent film. However, this was a time when deaf people could comfortably go to the movies and many of them were quite adept at reading lips. As a result, the studio received thousands of letters of complaint. See more »
What can anyone say about this? Beautiful print, some fine acting by Barrymore -- wonderfully subtle for the period in the early sequences and quite appropriately over-the-top at the end. Given the uniformly over-the-top performances he was called on to make towards the end of his career, the well-preserved Barrymore silents -- this one, his fine, generous performance in THE BELOVED ROGUE, and the sheer electricity between him and Dolores Costello in WHEN A MAN LOVES show what a fine actor he is -- those turns and his wonderful comic work in MIDNIGHT.
I have been less than impressed in the past by some of the scores offered by the Young Composers but, although a bit shaky in the earlier sequences, this one settled right down and was quite good.
I had quite forgotten this was directed by Harry Beaumont, who became my favorite MGM B director -- even though, of course, MGM didn't make B movies.
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