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The Bride's Play (1922)

An Irish lass is torn between the poet who seduced her and noble man who truly loves.


George Terwilliger (as George W. Terwilliger)


Mildred Considine, Brian Oswald Donn-Byrne (story) (as Donn Byrne)


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Cast overview:
Marion Davies ... Enid of Cashell / Aileen Barrett
John B. O'Brien ... Marquis of Muckross
Frank Shannon ... Sir John Mansfield
Wyndham Standing ... Sir Fergus Cassidy
Carl Miller ... Bulmer Meade
Richard Cummings Richard Cummings ... John Barrett
Eleanor Middleton Eleanor Middleton ... Bridget
Thea Talbot Thea Talbot ... Sybil
John P. Wade John P. Wade ... Sir Robert Fennell
Julia Hurley ... Peasant Woman
George Spink George Spink ... Meade's Butler


A young woman is courted first by an older gentleman who loves her, then by a young poet. Upon falling in love with the poet after his relentless pursuit of her, he disappears to Dublin for weeks, during which time, she fears some tragedy may have befallen him. She goes to find him, only to discover he has been courting many women during his absence, one of whom, sets her straight at to his deceitful carousing ways and she returns home. After reading of her upcoming marriage to the other man in the paper, the poet rushes to interfere with the wedding Written by dictracy23

Plot Summary | Add Synopsis

Plot Keywords:

celtic mythology | See All (1) »


A beautiful tale of a modern girl, with a great love in her grasp, confronted on her wedding day by a past love. (Print Ad- The Evening Telegram,((New York, NY)) 12 January 1922)









Release Date:

22 January 1922 (USA) See more »

Also Known As:

Brudleken See more »

Company Credits

Show more on IMDbPro »

Technical Specs


Sound Mix:


Aspect Ratio:

1.33 : 1
See full technical specs »

Did You Know?


Preserved by The Library of Congress in 2016. Restored print premiered at The State Theater in Culpeper, VA, on June 18, 2016. See more »


Sir Fergus Cassidy: Your eyes are like Killarney's Lakes! I've gazed into their depths and found another song!
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User Reviews

A Romance Centered on an Non-existent Irish Custom
19 June 2016 | by DLewisSee all my reviews

Despite what is given here, the title is truly "The Bride's Play" and it refers to an odd custom, probably fictional, where an Irish bride circulates among the men in the wedding party and asks them if any one of them is her "true love." Although it is her twelfth starring role, it is still an early film for Marion Davies, who plays Aileen Barrett, a beauteous and captivating Irish Colleen and daughter to a local squire of means. She is protected and doted upon by the local men, including Sir Fergus Cassidy (Wyndham Standing) though he elects to keep his deeper interest in her a private matter. In convent school Aileen runs into trouble through sharing with other students the purple poetry of popular, but second-rate, versifier Bulmer Meade (Carl Miller). One day, after her father has died, Meade comes to town and immediately devotes his energies to winning Aileen's heart. After much persistence, Meade finally succeeds, but then he's done with her and disappears. Sir Fergus finally makes his interest known, and the heartbroken girl is happy to learn the truth; they agree to marry. But before the wedding begins, an old wife (Julia Hurley) relates her old wives' tale about Sir Fergus' ancestor, who had lost his bride to her old lover during "the bride's play" some eight centuries before, leading some to doubt as to the outcome of the new union to be. For such a simple story, Cosmopolitan really pulled out the stops on this one; the sets and costume are eye-popping, and so is some of the cinematography. Moreover, "The Bride's Play" survives in a gorgeous 35 mm print; thankfully so, as so few of Davies' early pictures now exist. However, the direction is make work and there are some notably dull stretches in the picture. Perhaps Cosmopolitan felt that they weren't getting their money's worth with director George Terwilliger, whose last major studio production this was before he slipped into states' rights features and poverty row fare. Davies' best years -- and best films -- were still ahead of her, but for Terwilliger "The Bride's Play" was the end of the road. It's impressive in spots, and Davies is genuinely lovely as is the Irish setting in addition to the charming, if slight, tale told. Owing to it's occasionally leaden pacing, some measure of patience brought to "The Bride's Play" will pay off though there are definitely better vehicles for Marion Davies than this one.

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