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Influencers: Music Supervisor Randall Poster Is Responsible for Your Favorite Needle Drops

  • Indiewire
Influencers: Music Supervisor Randall Poster Is Responsible for Your Favorite Needle Drops
First the movies were silent, and then early Hollywood composers like Max Steiner and Erich Wolfgang Korngold filled them with sound. By the time “American Graffiti” arrived in 1973 with a chart-topping soundtrack that ranged from Fats Domino to The Beach Boys, it was clear that songs — and not just scores — could be woven into the auditory fabric of a film. Since then, the cinematic relationship between image and music has only grown more exciting, more open-ended, and more liable to get lost in translation.

Fortunately, a brilliant new breed of interpreter has emerged over the last few decades: the music supervisor. And no music supervisor has been more instrumental in shaping the best movies of the last 30 years than Randall Poster. After producing an unsuccessful indie called “A Matter of Degrees” with some of his friends in the early ’90s, Poster realized that his passion for (and encyclopedic knowledge of
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Alexandre Desplat on Pushing the Boundaries With ‘Little Women’

  • Variety
Alexandre Desplat on Pushing the Boundaries With ‘Little Women’
The slate of awards hopefuls is new each year, but there is always a sense of continuity, of new contenders’ connections to the past.

For example, Alexandre Desplat, a strong Golden Globes and Oscar possibility this year for his score to Sony’s “Little Women,” can trace the influence of his predecessors on his work. Growing up in Paris, Desplat knew he wanted to be a film composer. “When I was very young, I was collecting soundtracks and it was an education. I learned to listen to music outside the film. When home video arrived, I would watch a movie over and over, to figure out when the music started and when it stopped and why.

“I listened to Nino Rota, Ennio Morricone, John Barry, Maurice Jarre. And my parents had earlier scores, by George Duning, Bernard Herrmann and many others. I was also very much into the earlier Hollywood composers: Max Steiner,
See full article at Variety »

Film Historian and Author Rudy Behlmer Dies at 92

  • Variety
Film Historian and Author Rudy Behlmer Dies at 92
Rudy Behlmer, author of “Memo From David O. Selznick” and nearly a dozen other film-history books, died Friday at his home in Studio City, Calif. He was 92.

Behlmer was among the most widely respected historians of Golden Age Hollywood, in part because of his insistence upon researching “primary source material” and not relying on faulty memories or exaggerated press accounts of the time.

“Memo From David O. Selznick,” which Behlmer edited from thousands of Selznick’s private letters, telegrams and memoranda, was a best seller in 1972. Behlmer first interviewed the “Gone With the Wind” producer for a 1963 article for “Films in Review,” one of dozens of magazine pieces he wrote over the decades.

Other books followed: “Hollywood’s Hollywood: The Movies About the Movies”, “Inside Warner Bros. 1935-1951” (1985), “Behind the Scenes: The Making Of…” (1989) and “Memo from Darryl F. Zanuck” (1993).

Behlmer’s first book, co-written with fellow film historians Tony Thomas and Clifford McCarty,
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The Sea Hawk

Grand action entertainment bursts forth on the high seas, showing us how much production value Golden Hollywood could lavish on an exciting, artful swashbuckler. Errol Flynn is at his glorious best, backed by greats like Flora Robson, Henry Daniell and Claude Rains in fine form. The special effects and full-sized ship sets impress in ways that computer generated images never will. And the rousing music of Erich Wolfgang Korngold seals the deal — the term ‘Timeless Classic’ was invented for marvels like this.

The Sea Hawk


Warner Archive Collection

1940 / B&W / 1:37 flat Academy / 127 min. / Street Date December 18, 2018 / available through the WBshop / 21.99

Starring: Errol Flynn, Brenda Marshall, Claude Rains, Donald Crisp, Flora Robson, Alan Hale, Henry Daniell, Una O’Connor, James Stephenson, Gilbert Roland, William Lundigan, Julien Mitchell, Montagu Love, J.M. Kerrigan, David Bruce, Fritz Leiber, Francis McDonald, Pedro de Cordoba, Ian Keith, Jack La Rue, Halliwell Hobbes, Victor Varconi,
See full article at Trailers from Hell »

Listen to Paul Thomas Anderson’s ‘Phantom Thread’ Mixtape Featuring Beyoncé, Bruce Springsteen, Rihanna & More

You’ve seen Phantom Thread, perhaps multiple times. You’ve been playing Jonny Greenwood’s score on repeat. And now you’re wondering what to do until the Blu-ray arrives this April. Well, Paul Thomas Anderson has you covered. In special screenings around the country, you might have heard a few songs play before the film begins, and now Tiff has revealed those were hand-selected by the director for a special pre-viewing playlist.

They’ve now revealed the full list of songs, clocking in at 23 and ranging from Beyoncé to Bruce Springsteen to Rihanna to Neil Young to Carly Simon and far beyond. Of course, there’s also some Bernard Herrmann thrown in for good measure. Ahead of 70mm screenings at the Tiff Bell Lightbox starting Friday, they’ve collected the tracks into a Spotify list, which can be listened to below, followed by a round-up of recent extensive Phantom Thread talks with its creators.
See full article at The Film Stage »

Paul Thomas Anderson Shares His 23-Song ‘Phantom Thread’ Mixtape, From Beyoncé to Rihanna

Paul Thomas Anderson Shares His 23-Song ‘Phantom Thread’ Mixtape, From Beyoncé to Rihanna
Paul Thomas Anderson is here to help you set the mood before your “Phantom Thread” viewing. While Jonny Greenwood’s Oscar-nominated score is well worth numerous streams, the director has curated his own mixtape of 23 songs he suggests you listen to before watching his romance drama. Anderson shared the playlist with Tiff., All 70mm screenings of “Phantom Thread” at the Tiff Bell Lightbox theater will play the songs before showtime.

The mixtape is pretty incredible on its own, featuring hits from Beyoncé, Rihanna, Carly Simon, Neil Young, and more, but it’s even better for those who have seen “Phantom Thread” and understand the relationship between Daniel Day-Lewis’ Reynolds Woodcock and Vicky Krieps’ Alma. Rihanna’s “Stay” is especially appropriate for the two lovers.

The full “Phantom Thread” playlist is below, courtesy of Tiff. The film is up for six Oscars at the Academy Awards, including Best Picture and Best Director.
See full article at Indiewire »

The Academy’s Celebrates The History of Film Music With Oscar Concert February 28

The Academy of Motion Picture Arts and Sciences and The Los Angeles Philharmonic today announced details of The Oscar Concert, a special, one-night-only celebration of film music at Walt Disney Concert Hall on Wednesday, February 28, 2018, at 8:00 p.m.

As part of the Oscar week celebrations for its 90th anniversary, the Academy, in partnership with the La Phil, presents an exclusive one-of-a-kind celebration of film music, including never-before-heard arrangements of this year’s five Original Score Oscar nominees.

Curated by composers and Academy Governors Michael Giacchino, Laura Karpman, and Charles Bernstein, the evening offers an insider’s look at film scoring across the decades, with select scores performed live by the Los Angeles Philharmonic, led by conductor Thomas Wilkins, and special guest Terence Blanchard (trumpet), with additional special guests to be announced. The Oscar Concert explores the history of film music through special arrangements of beloved scores by composers including Tan Dun,
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The Sea Wolf

Now restored to perfection, this genuine classic hasn’t been seen intact for way over sixty years. Michael Curtiz and Robert Rossen adapt Jack London’s suspenseful allegory in high style, with a superb quartet of actors doing some of their best work: Robinson, Garfield, Lupino and newcomer Alexander Knox.

The Sea Wolf


Warner Archive Collection

1941 / B&W / 1:37 flat Academy / 100 min. uncut! / Street Date October 10, 2017 / available through the WBshop / 21.99

Starring: Edward G. Robinson, Alexander Knox, Ida Lupino, John Garfield, Gene Lockhart, Barry Fitzgerald. Stanley Ridges, David Bruce, Francis McDonald, Howard Da Silva, Frank Lackteen, Ralf Harolde

Cinematography: Sol Polito

Film Editor: George Amy

Art Direction: Anton Grot

Special Effects: Byron Haskin, Hans F. Koenekamp

Original Music: Erich Wolfgang Korngold

Written by Robert Rosson, from the novel by Jack London

Produced by Hal B. Wallis, Henry Blanke

Directed by Michael Curtiz

Chopping up films for television was once the
See full article at Trailers from Hell »

Fantastic Beasts composer James Newton Howard’s 17 greatest scores

With James Newton Howard lending a magical soundscape to Fantastic Beasts and Where to Find Them, writer Sean Wilson selects his personal favourites from an extraordinary film score career…

Enveloping muggles and devoted fans alike in a warmly nostalgic air of magic, J.K. Rowling’s Harry Potter prequel Fantastic Beasts and Where to Find Them has yielded enthusiastic reviews and a strong box office showing. And behind the scenes is one of the greatest magicians of all: veteran score composer James Newton Howard, whose rich array of melodies and themes encapsulate the dazzling world of magizoologist Newt Scamander. To mark this superb score from one of Hollywood’s finest, here’s a rundown of Newton Howard’s greatest compositional achievements.

17. The Sixth Sense (1999)

The composer’s first collaboration with longstanding collaborator M. Night Shyamalan is possibly the most discreet and understated of their team-ups, but no less effective for it.
See full article at Flickeringmyth »

Review – Jurassic Park live at the Royal Albert Hall

Sean Wilson reviews the concert performance of John Williams’ classic dinosaur blockbuster score…

Assessing a film score is a tricky thing – does one applaud an orchestral soundtrack for drawing attention to itself, or for remaining steadfastly unobtrusive and part of the fabric of the movie in question? It’s especially tricky when assessing the work of John Williams, inarguably the most celebrated and famous of all contemporary film composers and whose richly melodic masterpieces for Steven Spielberg readily play on the emotions. Although a composer capable of great subtlety, as the likes of Jane Eyre and Schindler’s List attest, it’s Williams’ more robust, rambunctious works for which he is destined to be remembered, and they’re also the ones that tend to draw criticism for stepping beyond the boundary of the visuals to actively inform us what to feel at a given moment.

The contradictory nature of film music,
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Cinema’s Exiles: From Hitler to Hollywood

Banished by Josef Goebbels and threatened by the Reich, the creative core of the German film industry found itself in sunny Los Angeles, many not speaking English but determined to carry on as writers, directors and actors. More than simply surviving, they made a profound impact on Hollywood moviemaking. Cinema's Exiles: From Hitler to Hollywood DVD-r The Warner Archive Collection 2009 / B&W / 1:37 flat Academy / 117 min. / Street Date April 12, 2016 / available through the WBshop / 21.99 Cinematography Joan Churchill, Emil Fischhaber Film Editor Anny Lowery Meza Original Music Peter Melnick Written, Produced and Directed by Karen Thomas

Reviewed by Glenn Erickson

Cinema's Exiles: From Hitler to Hollywood is the perfect docu to introduce people to the way film and world history are intertwined... and also to generate interest in older movies and classic cinema. Instead of a story about the making of movies, it's about a fascinating group of filmmakers forced to abandon
See full article at Trailers from Hell »

25 great music scores composed for not very good movies




Some brilliant scores accompany movies that don't always deserve them. Here are 25 examples...

Can a film soundtrack rescue a movie that is otherwise a lost cause? One thing’s for sure: throughout the history of cinema, music has often been the redeeming feature of many an underwhelming movie. Here are 25 amazing film scores composed for films that, frankly, didn’t deserve them.

25) Meet Joe Black (Thomas Newman, 1998)

This somnambulistic three hour romantic drama should really feature an extra screen credit for star Brad Pitt’s fetishised blonde locks. Rising way above the torpid melodrama of the plot is one of Thomas Newman’s most hauntingly melodic and attractive scores, one that leaves his characteristic quirkiness at the door to paint a portrait of death that is both melancholy and hopeful. The spectacular 10-minute finale That Next Place remains one of Newman’s towering musical achievements.

24) Timeline (Brian Tyler,
See full article at Den of Geek »

The 25 most underrated film scores of the 2000s




Diverse, awe-inspiring and memorable treasures that have sadly fallen off the radar

The noughties were a tough decade for film music fans. Not only was there the unprecedented loss of four great masters in the form of Jerry Goldsmith, Elmer Bernstein, Michael Kamen and Basil Poledouris; the nature of the industry itself began to go through some seismic changes, not all of them for the better.

With the art of film scoring becoming ever more processed, driven increasingly by ghost writers, electronic augmentation and temp tracks, prospects looked bleak. However, this shouldn’t shield the fact that there were some blindingly brilliant scores composed during this period. Here’s but a small sampling of them.

25. The Departed (Howard Shore, 2006)

When it came to the sound of his Oscar-winning crime thriller, director Martin Scorsese hit on the inspired notion of having composer Howard Shore base it around a tango,
See full article at Den of Geek »

Two-Time Best Actress Oscar Winner Shines on TCM Today: Was Last-Minute Replacement for Crawford in Key Davis Movie of the '60s

Olivia de Havilland on Turner Classic Movies: Your chance to watch 'The Adventures of Robin Hood' for the 384th time Olivia de Havilland is Turner Classic Movies' “Summer Under the Stars” star today, Aug. 2, '15. The two-time Best Actress Oscar winner (To Each His Own, 1946; The Heiress, 1949) whose steely determination helped to change the way studios handled their contract players turned 99 last July 1. Unfortunately, TCM isn't showing any de Havilland movie rarities, e.g., Universal's cool thriller The Dark Mirror (1946), the Paramount comedy The Well-Groomed Bride (1947), or Terence Young's British-made That Lady (1955), with de Havilland as eye-patch-wearing Spanish princess Ana de Mendoza. On the other hand, you'll be able to catch for the 384th time a demure Olivia de Havilland being romanced by a dashing Errol Flynn in The Adventures of Robin Hood, as TCM shows this 1938 period adventure classic just about every month. But who's complaining? One the
See full article at Alt Film Guide »

Tcmff 2015: ‘The Sea Hawk’, Swashbuckling for Pre-War Pro-British Politics

The Sea Hawk

Written by Howard Koch and Seton I. Miller

Directed by Michael Curtiz

U.S.A., 1940

Under the Warner Brothers banner, Errol Flynn leaps, bounds and rouses hearts to the tune of Erich Wolfgang Korngold’s winning score and the direction of taskmaster Michael Curtiz. Following on the coattails of Captain Blood (1935) and The Adventures of Robin Hood (1938), it’s easy to dismiss The Sea Hawk (1940) as just a studio swashbuckler, another outing of a tried and true formula that Bosley Crowther called, “an overdressed ‘spectacle’ film which derives much more from the sword than the pen.” Admittedly, this loose adaptation owes more to the seafaring adventures of Sir Francis Drake than the original Rafael Sabatini novel of the same name, but it owes even more to the politics surrounding its production. On closer examination, the film stands as a testament not only to Flynn in his booming
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One Henreid, a Couple of Cigarettes, and Four Davises

Paul Henreid: From lighting two cigarettes and blowing smoke onto Bette Davis’ face to lighting two cigarettes while directing twin Bette Davises Paul Henreid is back as Turner Classic Movies’ Star of the Month of July 2013. TCM will be showing four movies featuring Henreid (Now, Voyager; Deception; The Madwoman of Chaillot; The Spanish Main) and one directed by him (Dead Ringer). (Photo: Paul Henreid lights two cigarettes on the set of Dead Ringer, while Bette Davis remembers the good old days.) (See also: “Paul Henreid Actor.”) Irving Rapper’s Now, Voyager (1942) was one of Bette Davis’ biggest hits, and it remains one of the best-remembered romantic movies of the studio era — a favorite among numerous women and some gay men. But why? Personally, I find Now, Voyager a major bore, made (barely) watchable only by a few of the supporting performances (Claude Rains, Best Supporting Actress Academy Award nominee
See full article at Alt Film Guide »

Wac's 4th-Year Anniversary Releases Include Star Vehicles for Reynolds, Garfield, Barthelmess

Warner Archive Collection 4th anniversary DVD / Blu-ray releases The Warner Archive Collection (aka Wac), which currently has a DVD / Blu-ray library consisting of approximately 1,500 titles, has just turned four. In celebration of its fourth anniversary, Wac is releasing with movies featuring the likes of Jane Powell, Eleanor Parker, and many more stars and filmmakers of yesteryear. (Pictured above: Greer Garson, Debbie Reynolds, Ricardo Montalban in the sentimental 1966 comedy / drama with music The Singing Nun.) For starters, Jane Powell and Debbie Reynolds play siblings in Richard Thorpe's Athena (1954), whose supporting cast includes Edmund Purdom, Vic Damone, frequent Jerry Lewis foil Kathleen Freeman, Citizen Kane's Ray Collins, Tyrone Power's then-wife Linda Christian, former Mr. Universe and future Hercules Steve Reeves, veteran Louis Calhern, not to mention numerology, astrology, and vegetarianism. As per Wac's newsletter, the score by Hugh Martin and Martin Blane "gets a first ever Stereophonic Sound remix for this disc,
See full article at Alt Film Guide »

June Classical Review Roundup

David Jalbert J.S. Bach: Goldberg Variations (Atma Classique) Young Canadian pianist David Jalbert’s rendition of the Goldberg Variations has been growing on me for two months. In the wake of last year’s dazzlingly athletic version by Minsoo Sohn, this seemed less momentous. Well, even if it’s not overthrowing my #1 choice -- Murray Perahia’s supremely refined rendition with its wonderful palette of timbres -- or surpassing a couple of Gould’s, or Sohn’s, it is deeply satisfying: technically and interpretively impressive, imaginative without crossing the line into quirky. It has a certain kinship with Gould’s 1981 recording (slow aria, generally sprightly tempos featuring counterpoint of crystalline clarity) but without Gould’s tendency to make his piano as dryly harpsichord-like as possible; Jalbert’s tone is quite pianistic without ever seeming anachronistically Romantic, and he sometimes spins out beautifully legato lines with a singing quality. Most of all,
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Music Review: Thor: Original Motion Picture Soundtrack

Thor: Original Motion Picture Soundtrack

CD | MP3

By Patrick Doyle

Buena Vista Records

Release Date: May 3, 2011

One of the things I love most about seeing a movie for the first time is experiencing its music score. I have many favorites but the ones that affect me the most are the great adventure scores, from Erich Wolfgang Korngold’s jaunty and propulsive The Adventures of Robin Hood to John Williams’ endlessly hum-worthy Raiders of the Lost Ark. The best of these scores tend to plant themselves deep in my mind and always pipe up at moments when I need those sounds the most and my MP3 player is nowhere to be found. They calm my soul and motivate me to conquer each of life’s challenges, be they minor or potentially life-threatening, with a hearty laugh and my arms jutted forward like I could take off flying at any moment
See full article at Geeks of Doom »

The Sammy Awards Announces Honors For Film Soundtracks

  • CinemaRetro
Cinema Retro has received the following press release:

The Sammy Awards (or Sammys) are named after movie lyricist Sammy Cahn (1913-1993), who received 4 Oscars for his songs, and was nominated more than any other songwriter, 26 times in all. Cahn said he was “flattered and honored” to have these movie music awards named after him. His Oscar-winning songs are: “Three Coins in the Fountain”; “All the Way”; “High Hopes”; and “Call Me Irresponsible.” All four songs were recorded by Frank Sinatra, a big fan of Sammy’s lyrics. Now in their twenty-third (23rd) year, the Sammys are the longest running awards for film music recordings.

The Sammys are chosen each year by Roger Hall, a film music historian, member of the International Film Music Critics Association, author of the book, A Guide to Film Music – Songs and Scores, and editor of the long-running online magazine, Film Music Review –
See full article at CinemaRetro »
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