During the early days of World War II, the fate of Western Europe hangs on the newly-appointed British Prime Minister Winston Churchill, who must decide whether to negotiate with Hitler, or fight on against incredible odds.
Kristin Scott Thomas
In Northern Italy in 1983, seventeen year-old Elio begins a relationship with visiting Oliver, his father's research assistant, with whom he bonds over his emerging sexuality, their Jewish heritage, and the beguiling Italian landscape.
When American military analyst, Daniel Ellsberg, realizes to his disgust the depths of the US government's deceptions about the futility of the Vietnam War, he takes action by copying top-secret documents that would become the Pentagon Papers. Later, Washington Post owner, Kay Graham, is still adjusting to taking over her late husband's business when editor Ben Bradlee discovers the New York Times has scooped them with an explosive expose on those papers. Determined to compete, Post reporters find Ellsberg himself and a complete copy of those papers. However, the Post's plans to publish their findings are put in jeopardy with a Federal restraining order that could get them all indicted for Contempt. Now, Kay Graham must decide whether to back down for the safety of her paper or publish and fight for the Freedom of the Press. In doing so, Graham and her staff join a fight that would have America's democratic ideals in the balance. Written by
Kenneth Chisholm (email@example.com)
The song "Green River" by Creedence Clearwater Revival plays in the opening scene set in Vietnam. The scene is meant to take place in 1966 (as captioned at the start of the film). However, "Green River" was not released until 1969. See more »
Stodgy and slipshod Spielbergian historical tribute
Much to my surprise, I found Spielberg's account of the Washington Post's constitutional battle with the Nixon Administration over the Post's audacious and impulsive decision to publish the leaked Pentagon Papers in 1971 to be mildly prosaic and detached. It definitely lacks the raw drama it was obviously angling for and key scenes came across as tentative and sloppy.
Despite an impactful, committed performance by Meryl Streep as Katharine Graham, the publisher of the Washington Post who helped crush gender barriers in journalism and a lively turn by Tom Hanks as the brash and swaggering Ben Bradlee, editor of the Post, this film suffers from a lack of depth and a surprisingly scattershot approach to the story by Spielberg. A viewer would be forgiven for coming away with a flawed understanding of the Pentagon Papers because the film is more about how the Washington Post came into national prominence by defying the White House in publishing documents the government claimed as top secret and vital to U.S. military success in Vietnam.
Some might argue that this film should be watched and evaluated more deliberately but when Spielberg himself rushed through the material and the filmmaking process, it's harder to claim that the viewer has missed something. With this much proven talent on both sides of the camera, haste makes waste. Not recommended.
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