Paul Scheer sheds some light on The Room, lets us in on a secret in The Disaster Artist, and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.
Set over one summer, the film follows precocious 6-year-old Moonee as she courts mischief and adventure with her ragtag playmates and bonds with her rebellious but caring mother, all while living in the shadows of Disney World.
After the untimely death of 16-year-old Martin's father on the operating table, little by little, a deep and empathetic bond begins to form between him and the respected cardiothoracic surgeon, Dr Steven Murphy. At first, expensive gifts and then an invitation for dinner will soon earn the orphaned teenager the approval of Dr Steven's perfect family, even though right from the start, a vague, yet unnerving feeling overshadows Martin's honest intent. And then, unexpectedly, the idyllic family is smitten by a fierce and pitiless punishment, while at the same time, everything will start falling apart as the innocents have to suffer. In the end, as the sins of one burden the entire family, only an unimaginable and unendurable decision that demands a pure sacrifice can purge the soul. But to find catharsis, one must first admit the sin. Written by
The film's title comes from the ending of the tragedy Iphigenia in Aulis by Euripides. See more »
This meat is delicious.
You were right, after all. The children are much better here. I was even thinking I might take them to the beach house, for a few days. A little fresh air and a change of scenery might do us all good.
Do you know what I've been craving? Mashed potato. Why don't you make some tomorrow?
You have beautiful hands. I never noticed before. Everyone's been telling me lately what beautiful hands you have and now I can see for myself, nice and clean. But so what if ...
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The script-writer must have been about as intellectual as a lobotomized chicken.
Perpetually early for the movies, I stand for a few moments in the cinema hall, overwhelmed with the crowd that forms a (typically British) queue at the ticket box. It is Halloween and this movie's trailer made it seem like the right choice for a spooky night. There is some kind of buzz in the air when the screening begins. A few moments later...happy chatter and munching are gone, everyone is focused, trying to figure out what the story-line is all about, what the GBP 12 for an adult ticket + GBP 7 for popcorn and coke went for.. a tragedy? No, a roadkill! No amount of expensive equipment can make up for the lack of plot! It just doesn't make sense... at all! Any of it! "But it had scored so well on IMDb!" - whines someone from the back row and I can feel their pain... it is everyone's pain... A collaborative exhaling in short puffs! What.a.waste.of.time! Lights are up as the movie ends... No-one's getting ready to leave - stuck in their seats people look around, then look at the screen again, expecting some scenes after the credits to put the whole movie into a different perspective, making it worth watching at least... To no avail.
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