7.7/10
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The Big Sick (2017)

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Pakistan-born comedian Kumail Nanjiani and grad student Emily Gardner fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family's expectations, and his true feelings.

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75 ( 8)
13 wins & 63 nominations. See more awards »
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Cast

Cast overview, first billed only:
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CJ
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Khadija
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Nurse Judy
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Bob Dalavan
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Andy Dodd
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Storyline

Kumail (Kumail Nanjiani), in the middle of becoming a budding stand-up comedian, meets Emily (Zoe Kazan). Meanwhile, a sudden illness sets in forcing Emily to be put into a medically-induced coma. Kumail must navigate being a comedian, dealing with tragic illness, and placating his family's desire to let them fix him up with a spouse, while contemplating and figuring out who he really is and what he truly believes Written by Brett Lee Swerbilow (brettswerbilow@gmail.com)

Plot Summary | Plot Synopsis

Taglines:

An Awkward True Story

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language including some sexual references | See all certifications »

Parents Guide:

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Details

Country:

Language:

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Release Date:

14 July 2017 (USA)  »

Also Known As:

Un amor inseparable  »

Filming Locations:


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Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend USA:

$421,577, 25 June 2017, Limited Release

Gross USA:

$42,872,467, 19 October 2017

Cumulative Worldwide Gross:

$44,328,624, 21 August 2017
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Kumail Nanjiani personally contacted Anupam Kher about taking the role of his father, Azmat. Kher accepted the role after learning that Kumail's real father personally expressed a desire for him to take the role. See more »

Goofs

Near the end of the movie when Kumail is looking through the window in the hospital room door he can see Emily's head but when the shot switches to the other side of the bed it is obvious you would not be able to see her from the window because of the angle of the bathroom wall. See more »

Quotes

Terry: So, uh, 9/11.
[everyone looks at Terry expectantly]
Terry: No I mean, I've always wanted to have a conversation with
[gestures at Kumail]
Terry: about it. With
[gestures again at Kumail]
Terry: people.
Kumail: You've never talked to people about 9/11?
Terry: No what's your, what's your stance?
Kumail: What's my stance on 9/11? Oh um, anti. It was a tragedy, I mean we lost 19 of our best guys.
[...]
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Crazy Credits

In the beginning of the end credits, photos of shown of the real-life inspiration behind the Emily character, as well as the wedding between Emily V. Gordon and Kumail Nanjiani and Nanjiani's real-life parents. See more »

Connections

References Knight Rider (1982) See more »

Soundtracks

We Gon Turn It Out
Written by Shaun Hopkins, Terry Booker, and Jason Williamson
Performed by Soulchef
See more »

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User Reviews

 
Comic Placebo for Serious Issues
14 August 2017 | by See all my reviews

Like most comedies, 'The Big Sick' is powder-puff drama spiced up with some humorous moments. Its plot tells how a Pakistani-American stand-up comedian embarks on a love affair with a blonde psychology student when she heckles him during one of his stage shows. After she discovers his family are pressing him to choose a Muslim bride for a traditional arranged marriage, she breaks up with him but soon afterward falls ill with a serious infection. He realizes he's still deeply involved with her while keeping vigil at her hospital bedside - and when her parents arrive, the three of them attempt to break through some cultural differences.

The characters and story possess some originality and relevance, but the film's effect could have been far more intense if it hadn't focused principally on laughs. Despite the strong emotional content - love, family and ill-health - the film never escapes the clutches of light comedy. The actors deliver respectable performances, but their efforts can't lift the material above the level of a forgettable sit-com. Ken Loach's 'A Fond Kiss' explores similar territory in a far more memorable manner.


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