It's time for a young African American to meet with his white girlfriend's parents for a weekend in their secluded estate in the woods, but before long, the friendly and polite ambience will give way to a nightmare.
In the near future, a weary Logan cares for an ailing Professor X, somewhere on the Mexican border. However, Logan's attempts to hide from the world, and his legacy, are upended when a young mutant arrives, pursued by dark forces.
Chris and his girlfriend Rose go upstate to visit her parent's for the weekend. At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined. Written by
Get Out (2017) is the second film released by Blumhouse Productions in 2017 to become a profitable box office hit. The film was released on February 24th, 2017 and made over $34 million in its opening weekend on a $4.5 million budget. The first Blumhouse produced film released in 2017 was Split (2016), which originally premiered at film festivals in late 2016 and was officially released theatrically on January 20th, 2017. The film earned $40 million in its opening weekend on a $9 million budget. And the third Blumhouse produced film released is Happy Death Day (2017) which was released on October 13th, 2017. The film made $26 million on its opening weekend on a budget of $4.8 million. See more »
Losing to Jesse Owens in the qualifying rounds of the Olympics would not have prevented Roman Armitage from making the finals. Up to three runners from the same country can make the finals if good enough. See more »
A deliciously wry slice of cinematic paranoia served with a side of cathartic humor
I was totally blown away by "Get Out". This is one of the best turns by an actor behind the camera I have ever seen (Jordan Peele). Probably the timely social commentary is going to loom heavily when discussing the film; however this shouldn't conceal the fact that this is a masterclass cinematic work that has been thought out to the very last detail; it knows what it wants to say and how to say it, balancing wildly contrasting tones and defeating potential clichés with stylistic bravura. Of course everything stems from a rock solid script, where the plot points are cunningly engineered, and then fleshed out in a disciplined and take no prisoners kind of way. There is much to admire and enjoy here, including some surreal imagery that is as stunning as it is disturbing, always serving a purpose within the narrative; there are also brilliant soundtrack choices and you get subtle nods at the masters that came before (Kubrick and Wes Craven, specially). The plot involves one of those frequently visited "fish out of the water" type of settings where it's up to the director to make the most out of it. Which fortunately is the case here, since you get plenty of real character development and a tight, innuendo ridden dialogue that really gets under your skin. All this, together with the inspired camera work, contributes to the success of this tricky enterprise as a whole. Kudos to all the actors for going all the way with the provocative premise, considering that it could have totally backfired in less confident hands. Everything amounts to a deliciously wry slice of cinematic paranoia served with a side of cathartic humor that appropriately reflects the political times we are living in. And make no mistake, this is a true horror film that refuses to pull any punches; if you thought that Peele was just going for the laughs and the cheap scares you will get more than you bargained for. "Get out" will shock you silly and will make you think. Then you will want to watch it again and try to figure out how he pulled the trick.
322 of 566 people found this review helpful.
Was this review helpful to you?