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Get Out (2017)

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It's time for a young African American to meet with his white girlfriend's parents for a weekend in their secluded estate in the woods, but before long, the friendly and polite ambience will give way to a nightmare.

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Nominated for 2 Golden Globes. Another 31 wins & 75 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Rod Williams (as Lil Rel Howery)
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Lisa Deets
John Wilmot ...
Gordon Greene
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Emily Greene (as Caren Larkey)
Julie Ann Doan ...
April Dray
Rutherford Cravens ...
Parker Dray
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Storyline

Chris and his girlfriend Rose go upstate to visit her parent's for the weekend. At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Do you belong in this neighborhood? See more »


Motion Picture Rating (MPAA)

Rated R for violence, bloody images, and language including sexual references | See all certifications »

Parents Guide:

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Details

Official Sites:

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Country:

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Language:

Release Date:

24 February 2017 (USA)  »

Also Known As:

¡Huye!  »

Filming Locations:

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Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend USA:

$33,377,060, 26 February 2017, Wide Release

Gross USA:

$175,484,140

Cumulative Worldwide Gross:

$252,434,250
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Slate reported that this movie was the "secret midnight screening" at the January 2017 Sundance Film Festival--even though "rumors had been circulating for days that the horror movie...was the festival's enticing TBA [to be announced selection], and Variety confirmed those rumors hours before the show." See more »

Goofs

Rose is supposed to be a couple of years younger than her brother Jeremy, but in the photo and video of the family taken in front of the house when they were children, the young Jeremy is significantly shorter than the young Rose. In the DVD commentary, Jordan Peele admitted that they had not seen the two child actors standing next to each other until they were already cast and preparing to film, and he did not have the heart to fire the young boy for being too short. See more »

Quotes

Rod Williams: [to Detective Latoya and two other detectives] Then he sent me some weird pictures. I'm like, "Ah man, that's Andre Hayworth." This dude's been missing for 6 months, right? So I do all my research, you know, 'cause as a TSA agent. You know, you guys are detectives. You know, I got the same training. We might know more than y'all sometimes, you know, 'cause we are dealing with some terrorist shit, so... but that's a totally different story. So look, I-I go do my... my detective work, right? And I...
[...]
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Connections

References Dirty Dancing (1987) See more »

Soundtracks

Run Rabbit Run
Written by Ralph T. Butler and Noel Gay
Performed by Flanagan and Allen
Courtesy of Decca Music Group Limited
Under license from Universal Music Enterprises
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Frequently Asked Questions

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User Reviews

 
Just because you're invited, doesn't mean you're welcome.

"Get Out" takes the initial premise of "Guess Who's Coming to Dinner" and then twists it with "The Stepford Wives" to create a compelling, thoughtful critique of white power. Peele, of course, isn't arguing that white people are out to hypnotise black people. Instead, Get Out is a stinging criticism of the white liberalism that carries itself as empathetic towards blacks, but that empathy only extends as far as white control. Peele isn't taking aim at Neo- Nazis and other whites who would angrily shout the n-word. They're a lost cause. Instead, he's looking at those who profess their lack of racism, but only do so if they can maintain their dominance over black people in the most insidious manner possible. As Chris pointedly notes to Rose at party full of white people, "Has anyone here ever met a black person that didn't work for them?"

The film is genuinely creepy. Instead of cheesy music and grotesque torture porn, Peele relies on the unknown to draw you in. What is happening here? The plot builds like a slow boil to a terror explosion. Clues to the outcome are evident from the first second, but it takes the entire run-time to pull everything together. It's such a joy to be surprised by a horror outcome. I don't think I've seen a genre film this inventive since Cabin in the Woods. The resolve is truly satisfying.

My favourite aspect of Get Out is the intelligence of the characters. There's a lot to like, but beyond the deeper themes; the characters aren't morons. I cringe every time I watch a genre film and the characters don't behave logically. Chris and Rose are not fools. Something is amiss, enough to warrant wariness. Anyone in this situation would be unnerved as events play out. Credit again to Peele for writing characters that act rationally.

"Get Out" doesn't replace the scares with humour – Peele is too smart to do that. Instead, he balances the fear with laughs and then laces everything with social comment and that unsettling tone. The fact that Chris is so eminently likable just underlines it. It all adds up to something of a treat – for everybody, not just horror fans.


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