A personal essay which analyses and compares images of the political upheavals of the 1960s. From the military coup in Brazil to China's Cultural Revolution, from the student uprisings in Paris to the end of the Prague Spring.
Shows the unusual situation of homeless Brazilians movement and refugees that squat together an abandoned building in downtown Sao Paulo. The daily tension caused by the treat of eviction reveals the dramas and joys.
Isam Ahmad Issa,
The Divine Divas are the icons of the first generation of Brazilian transvestite artists in the 1960's. One of the first stages to host men dressed as women was the Rival Theatre, ran by ... See full summary »
Brazil 1821. A rich cattle herder finds out that his wife dies in labor. Forced to live in the property with numerous African slaves, he marries his wife's niece. But he returns to droving, leaving his wife behind alone with the slaves.
Diogo (17) has a little quirk: he likes to call his mother's female therapy patients and masturbate while listening to them on the phone. One of these patients is Angela (43), a woman who ... See full summary »
The summer is coming and Elias has been dreaming of the sea a lot. In the factory where he works, his responsibilities increase as the holiday season approaches. After one more night ... See full summary »
Based on a true story, "Bingo" is a film about the man behind the mask. Augusto is an actor hungry for a place in the spotlight, following the footsteps of his mother, a stage artist in the... See full summary »
Young Tony decides to return to his hometown. There, he discovers his father has returned to France claiming to miss his friends and country of origin. Tony ends up becoming a teacher, and finds himself amid conflicts and inexperience.
The movie shows who has been the man Joaquim behind the character Tiradentes who entered Brazilian History. To say more, the film shows what was Brazil in colonial times. Mud, blood, sweat, slaves, natural chats, blacks, natives, mestizos, Portugueses, power relations. Camera does not show the distant sight of historian, but, moving, it throws spectator in that real Brazil which does not make Brazilians proud, in spite of gorgeous cinematography. Even though the story is romanticized, this is a real History, with no heroes. Slavery was the rule, corruption and exploitation were the way things happened. Blacks and Indians were not much more than oxen or horses, although human relations could have various paths and their position could change according them. Direction is amazing, as the film shows impressive control from innovative filmmaking to quite natural speaking in good dialogues.
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