Following the assassination of President John F. Kennedy, First Lady Jacqueline Kennedy fights through grief and trauma to regain her faith, console her children, and define her husband's historic legacy.
A five-year-old Indian boy gets lost on the streets of Calcutta, thousands of kilometers from home. He survives many challenges before being adopted by a couple in Australia. 25 years later, he sets out to find his lost family.
The U.S. Supreme Court decision of Loving v. Virginia (388 U.S. 1, argued on April 10, 1967, and decided June 12, 1967) unanimously held that Virginia's "Racial Integrity Act of 1924," which forbade marriage between people of different races, was unconstitutional. This decision therefore effectively voided all such laws in other states as well (at the time, interracial marriage was still illegal in at least 15 other states) and was used as precedent in Obergefell v. Hodges, the 2015 Supreme Court decision that likewise declared all laws banning same-sex marriage to be unconstitutional. See more »
When Mildred finishes sewing part of a garment, she yanks it away from the machine, then she reaches for the scissors. When sewing on a machine, one never yanks at the fabric, at least not without carefully pinching the area just sewn. Otherwise, the area just sewn puckers, plus a lot of wasted thread is pulled off the spool and the bobbin. See more »
I'm very conflicted on how I feel about this. On one hand, I very much appreciated just how restrained and quiet this film turned out to be. It could have easily turned into a completely sentimental, over-saturated melodrama in the vein of The Help and it didn't. However, I also feel like it could have been more effective than it was. It also very much felt like Nichols was kind of on stand-by. I'm not sure if it was the mix of the period drama subject matter with someone like him as a director that made it feel a lot quieter than most films of this type, but I wanted to feel more than I did, I wanted more passion out of it. It's still a solid film and I'll see how it fares in my mind with time, but for now I say it was somewhat of a disappointment. I do think quieter films like this fare better with me the more I think about it, so I'm hopeful I'll like it a little more later on. Both Edgerton and Negga were really lovely, but I really don't see them getting nominated for an Oscar. I just think if a film is like this, the AMPAS will want something "bigger", both by the film and its actors and I just think in general everything here is way too subdued for them. It was great seeing Negga in a role so unlike her other one in Preacher and I can't wait to see more of her.
10 of 12 people found this review helpful.
Was this review helpful to you?