When their headquarters are destroyed and the world is held hostage, the Kingsman's journey leads them to the discovery of an allied spy organization in the US. These two elite secret organizations must band together to defeat a common enemy.
Imprisoned, the mighty Thor finds himself in a lethal gladiatorial contest against the Hulk, his former ally. Thor must fight for survival and race against time to prevent the all-powerful Hela from destroying his home and the Asgardian civilization.
In the near future, a weary Logan cares for an ailing Professor X, somewhere on the Mexican border. However, Logan's attempts to hide from the world, and his legacy, are upended when a young mutant arrives, pursued by dark forces.
After the Kingsman headquarters are blown up by a psychotic criminal named Poppy Adams, the surviving agents find their way to an allied secret organisation based in Kentucky, named Statesman. The two agencies must now work together in order to save the world and take down the so called 'Golden Circle'. Written by
After Poppy dies, Harry enters the password and hits the "space" key after typing "VIVA", later when Eggsy enters the password and it is displayed on screen there is no "space" between the letters. See more »
[Eggsy prepares to leave the house]
Eggsy, I hope you're hungry.
[Eggsy sees that Princess Tilde has prepared breakfast]
Oh, babe, I was gonna grab breakfast at work. This looks lovely, but I'm running late.
I just thought maybe we could practice? For tonight.
You said you've never eaten at a palace before. And Pappa is sort of picky about table manners.
Well, as it happens, babe, I've got this shit on lock. I know what every single one of them knives and forks is for.
[...] See more »
There is a statement in the closing credits: "A dope thanks to Samuel L. Jackson." Jackson had played Richmond Valentine in the previous Kingsman film. See more »
Let's Go Crazy
Written Prince (as Prince Rogers Nelson)
Published by NPG Music Publishing, LLC
Administered by Universal Music Works
Performed by Prince
Licensed courtesy of Warner Music UK Ltd. See more »
It feels like the fifth film in a franchise struggling to maintain it's relevancy, not like the follow-up to what was perhaps the most promising new property in Hollywood.
It's essentially all a big joke played on those who took umbrage at the few select sexualised moments from the final act of the first film, a joke whereby everything is consistently ramped up to eleven regardless of its negative impact on the story in a standoffish move meant to further separate the apparent 'critics' from the so-called 'fans', a move that only successfully provides both categories with a much worse experience, because while I and many other 'fans' didn't mind (or at least excused) the passive, clearly satirical crude jests and occasional absurdity of the original picture, we certainly didn't want a follow-up based entirely around what would obviously be considered the weakest aspects of the piece - elements which were only mitigated by the joyous fun found in the brilliance of the other parts such as the subtle yet witty satire and the very well developed characters, pieces of the puzzle now missing; though it is at times passively entertaining, what we're left with is a fairly by-the-numbers 'save-the-world' plot and a string of odd action set- pieces seemingly incompetently put together, with abhorrent use of rampant speed- ramping making it literally look like someone hit the fast-forward button and haphazardly stitched-together short takes that are supposed to make some sequences look like one fluid shot but instead make them look like cheap cartoons - in his quest to ignore the naysayers, Vaughn disappointingly squanders all of the good-will he had built with his predecessor and bizarrely wipes the slate clean relatively early on, wasting time setting up a less interesting new set of characters instead of working with the better characters already expertly established at the end of the prior title, while also reintroducing a previously dead character (seen in the trailers), after making him an amnesiac no less, in a move that should be reserved only for a waning franchise at least five films in that's struggling to maintain it's relevancy, not for what was once perhaps the most promising new property in Hollywood. 6/10
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