While training at the gym 11-year-old tomboy Toni becomes entranced with a dance troupe. As she struggles to fit in she finds herself caught up in danger as the group begins to suffer from fainting spells and other violent fits.
Exposing her role behind the camera, Kirsten Johnson reaches into the vast trove of footage she has shot over decades around the world. What emerges is a visually bold memoir and a revelatory interrogation of the power of the camera.
A bizarre series of murders begins in Los Angeles, where people start going bald and then become homicidal maniacs. But could the blame rest on a particularly dangerous form of LSD called Blue Sunshine the murderers took ten years before?
A teenage girl with nothing to lose joins a traveling magazine sales crew, and gets caught up in a whirlwind of hard partying, law bending and young love as she criss-crosses the Midwest with a band of misfits.
The Fits is a psychological portrait of 11-year-old Toni-a tomboy assimilating to a tight-knit dance team in Cincinnati's West End. Enamored by the power and confidence of this strong community of girls, Toni eagerly absorbs routines, masters drills, and even pierces her own ears to fit in. When a mysterious outbreak of fainting spells plagues the team, Toni's desire for acceptance is twisted. Written by
"The Fits" (2015 release; 72 min.) brings the story of Toni, an 11 yr. old girl. As the movie opens, we see Toni doing push-ups and working out in the boxing gym alongside her older brother. But afterwards she watches a nearby dancer troupe doing their workouts, and it's clear Toni wants to join them. Toni's brother encourages her and it's not long before Toni enters a whole new world. To tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.
Couple of comments: this is the debut full-length feature from writer-director Anna Rose Holmer. Here she picks a familiar topic (coming of age, fitting in and social acceptance), but Holmer brings it in a unique way, focusing on an 11 yr. old girl whom we watch as she tries to find her way. There is no dialogue to speak of during the first 20-25 minutes of the movie. Instead, we decipher all we need to know from Toni's face and body expressions. Newcomer Royalty Hightower as Toni as an absolute sensation. Did I mention that the entire cast of this film is African-American? (Interestingly, Holmer herself is not.) The movie is set entirely in Cincinnati's gritty West End neighborhood (much of the film being set at the Lincoln Community Center). As a complete aside, I also noticed in the opening credits that the movie is presented by the Biennale di Venezia, yes, the famous arts fest. Bottom line: "The Fits" is an abstract, yet very real comment on a young girl's coming of age, dealing with social acceptance and related challenges.
The movie opened recently at my local art-house theater here in Cincinnati. The Tuesday evening screening where I saw this at was PACKED, to my great (but pleasant) surprise. The fact the movie was shot here surely had a lot to due with it. Equally surprising was to see how many young kids were in the audience. If you are on the fence, perhaps because the movie's short running time, please do yourself a favor and check this out, be it in the theater, on VOD or eventually on DVD/Blu-ray. You will thank me later.
20 of 24 people found this review helpful.
Was this review helpful to you?