Clara, a 65 year old widow and retired music critic, was born into a wealthy and traditional family in Recife, Brazil. She is the last resident of the Aquarius, an original two-story ... See full summary »
While both participating in a production of "Death of a Salesman," a teacher's wife is assaulted in her new home, which leaves him determined to find the perpetrator over his wife's traumatized objections.
Nathalie teaches philosophy at a high school in Paris. She is passionate about her job and particularly enjoys passing on the pleasure of thinking. Married with two children, she divides her time between her family, former students and her very possessive mother. One day, Nathalie's husband announces he is leaving her for another woman. With freedom thrust upon her, Nathalie must reinvent her life.
Shortly before Nathalie goes to watch a movie there is a shot of Constance Rousseau who played the lead role in Mia Hansen-Løve's debut film. Hansen-Løve said she originally intended the shot to be of Félix de Givry who starred in her previous film, but she thought it would be too distracting to include him. See more »
Nathalie is shown walking through the mud flats exposed along the beach at low tide. As she walks, she is clearly following footprints. Since the mud was previously underwater, the footprints must be from a previous take of Isabelle Huppert walking along the same path. See more »
I have to admit I haven't seen any of the other films to have been directed by Mia Hansen-Love but if they are as good as "Things to Come" she will already have made her mark as one of the great directors working today, not that a great deal happens , in the conventional sense of 'cinematic action', in "Things to Come". This is simply a portrait of a woman, (Isabelle Huppert), who has settled into middle-age, neither particularly happy nor particularly unhappy. She is a teacher and writer of philosophy who uses the philosophical treatises she's always lived by to get through her largely uneventful life.
She has a dull, middle-aged husband who also teaches, two grown children and an ageing, ill mother, (Edith Scob from "Eyes Without a Face"), when suddenly her life is thrown into disarray, Nevertheless she copes, mainly due to her friendship with a younger man who was once one of her students, There is a suggestion that they might become romantically involved but it's just a hint in a film full of hints.
This is serious stuff, intellectually rigorous and yet full of humor; a film for intelligent, grown-up audiences who like to take their brains with them when they go to the pictures and Huppert, who is never off the screen, is stunningly good. Every gesture she makes, the way she walks, tells us something about this woman as much as what she says. This is great acting.
Everyone else follows suit. Roman Kolinka as Fabien, the New-Age would-be anarchist she comes to rely on, if only for company, could have been such a cliché but Kolinka brings depth and shadings to the role and makes him likable and interesting. Even Andre Marcon as the dull husband is dull in a way that makes him sympathetic rather than a figure of fun.
By now you might have realized that I loved this film as much as any I've seen this year. Is it a masterpiece? Probably not. In the end it's gossamer thin but it is also a gem, a beautiful uncut diamond of a movie. See it at all costs.
15 of 24 people found this review helpful.
Was this review helpful to you?