Clara, a 65 year old widow and retired music critic, was born into a wealthy and traditional family in Recife, Brazil. She is the last resident of the Aquarius, an original two-story ... See full summary »
A personal shopper in Paris refuses to leave the city until she makes contact with her twin brother who previously died there. Her life becomes more complicated when a mysterious person contacts her via text message.
While both participating in a production of "Death of a Salesman," a teacher's wife is assaulted in her new home, which leaves him determined to find the perpetrator over his wife's traumatized objections.
Nathalie teaches philosophy at a high school in Paris. She is passionate about her job and particularly enjoys passing on the pleasure of thinking. Married with two children, she divides her time between her family, former students and her very possessive mother. One day, Nathalie's husband announces he is leaving her for another woman. With freedom thrust upon her, Nathalie must reinvent her life.
Shortly before Nathalie goes to watch a movie there is a shot of Constance Rousseau who played the lead role in Mia Hansen-Løve's debut film. Hansen-Løve said she originally intended the shot to be of Félix de Givry who starred in her previous film, but she thought it would be too distracting to include him. See more »
Nathalie is shown walking through the mud flats exposed along the beach at low tide. As she walks, she is clearly following footprints. Since the mud was previously underwater, the footprints must be from a previous take of Isabelle Huppert walking along the same path. See more »
Julie is recalling her former passion, unrequited with SaintPreux . She had hope to know true bliss with him and this hope made her happy, Julie can then be happy substituting dream for reality.
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I read some reviews wondering about the point of the movie: I think asking for the point is simply insignificant when watching a movie like this. It depicts a portion of a mature woman's life, a philosophy teacher and an intellectually brilliant editor, having to come to terms with loss, abandonment and conscious aging. One would say: nothing new, nothing original, or interesting. On the contrary, I found the picture deeply affecting, in the apparently placid but still very focused and deep way it portray this normal life. It reflects so realistically the natural and typical feminine facing of things as they come, that it gets intrinsically authentic and involving. As usual, Isabelle Huppert does not only interpret but lives her character and is the real pillar of strength of the picture. If you love unpretentious but simply authentic women's stories you'll like this movie, and you won't have to ask where the point is.
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