WWII American Army Medic Desmond T. Doss, who served during the Battle of Okinawa, refuses to kill people, and becomes the first man in American history to receive the Medal of Honor without firing a shot.
The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
Aspiring actress serves lattes to movie stars in between auditions and jazz musician Sebastian scrapes by playing cocktail-party gigs in dingy bars. But as success mounts, they are faced with decisions that fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart. Written by
According to composer Justin Hurwitz, all the piano performance featured in the film was first recorded by pianist Randy Kerber during pre-production. Ryan Gosling then spent two hours a day, six days a week in piano lessons learning the music by heart. By the time filming had begun, Gosling was able to play all the piano sequences seen in the film without the use of a hand double or CGI. See more »
When they leave the Lighthouse Seb goes left and Mia goes right. The very next scene shows Seb on the pier. If he had been going to the pier he would have gone right when leaving the Lighthouse. See more »
What do you mean you don't like jazz?
It just means that when I listen to it, I don't like it.
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There is a title card at the very beginning that says "Filmed in CinemaScope." See more »
A film that fails the Turing test - in reverse. Or something. What I mean is that after the first 5 minutes the unpleasant sensation crawled over me that I was participating in a rather sinister experiment, watching a movie made by a computer which was testing me by attempting to provoke a human-like response. Stuffed with algorithms culled from proper movies and musicals, the computer has generated a script and a set of scenarios based on user-preference and targeted directly at my very own demographic! Its eerie; the songs sound like songs but aren't quite, the dialogue sounds like people but not quite, nothing that happens has a real reason or point other than to crank through the plot, the jazz looks like jazz and sounds like jazz but isn't, quite, and the set-ups calculated to provoke an emotional effect left me untouched and feeling slightly hollow. What has been thrown, hurled and heaved at this film is Oscar-seeking acting, Oscar-seeking direction and Oscar-seeking technical twiddling. And hey ho and guess what, it got Oscars. Its the apotheosis of junk food, finally. You don't even need to make the effort to chew; it can now just squirt directly into you via the eyes and ears, a simulacrum of nourishment, over-flavoured glop taking the name of real love, real music, real acting and real life in vain.
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