When Tony Stark and Bruce Banner try to jump-start a dormant peacekeeping program called Ultron, things go horribly wrong and it's up to Earth's mightiest heroes to stop the villainous Ultron from enacting his terrible plan.
Robert Downey Jr.,
As Steve Rogers struggles to embrace his role in the modern world, he teams up with a fellow Avenger and S.H.I.E.L.D agent, Black Widow, to battle a new threat from history: an assassin known as the Winter Soldier.
Samuel L. Jackson,
Steve Rogers, a rejected military soldier transforms into Captain America after taking a dose of a "Super-Soldier serum". But being Captain America comes at a price as he attempts to take down a war monger and a terrorist organization.
Samuel L. Jackson
Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, cat burglar Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world.
With many people fearing the actions of super heroes, the government decides to push for the Hero Registration Act, a law that limits a hero's actions. This results in a division in The Avengers. Iron Man stands with this Act, claiming that their actions must be kept in check otherwise cities will continue to be destroyed, but Captain America feels that saving the world is daring enough and that they cannot rely on the government to protect the world. This escalates into an all-out war between Team Iron Man (Iron Man, Black Panther, Vision, Black Widow, War Machine, and Spider-Man) and Team Captain America (Captain America, Bucky Barnes, Falcon, Scarlet Witch, Hawkeye, and Ant Man) while a new villain emerges. Written by
(at around 1h 9 mins) Even if Steve's enormous biceps are strong enough to hold back a copter, it would easily be able to take off between the time that he latched onto it and the time that he grabbed the rail. He provides no anchoring at this time, other than his body weight. That wouldn't be nearly enough to hold the helicopter down for as long as he does.
However Steve weighs about 240 pounds and when he jumps to grab the skid he is seen swinging on it violently. It appears the aircraft is a Eurocopter AS350 which is a light single-engine helicopter. Bringing a helicopter in a stable hover requires precise simultaneous control inputs. It is conceivable that when Steve was swinging his body weight on the skid that destabilized the helicopter enough and Bucky had to focus on keeping it stable rather than increasing the power for take off. See more »
[in Russian; reading from a book]
Longing. Rusted. Seventeen. Daybreak. Furnace. Nine. Benign. Homecoming. One. Freight Car.
Good morning, Soldier.
See more »
SPOILER: There is a scene at the end of the closing credits: Peter Parker awkwardly explains his injuries to Aunt May, and later sees a gadget Tony Stark made for him. This leads into Spider-Man: Homecoming (2017). See more »
Cynically speaking, the whole mold that the latest Marvel movie creates, is a colossal set up that engenders subsequent sequels and solo outings in the ever expanding Marvel Cinematic Universe. The third for titular Captain America, "Civil War" is essentially the third Avengers film, starting with events happening a year after "Age of Ultron". That is not to say the film is mistakenly titled, because it still is, in all important aspects, a Captain America movie. It's just that, he isn't alone. The sheer size of this potential billion-dollar movie calls for an equally mammoth effort from sibling directors, Anthony and Joe Russo, who also both helmed Cap's previous film, Winter Soldier. Their deft maneuver results in a beautifully crafted cinematic piece, whose towering bravura, bestows the entire proceedings with striking depth and sentimentality, which may not be the first for the genre, but enough to make it Marvel's best film, to date.
In "Civil War", the brewing enmity between Steve Rogers/ Captain America (Chris Evans) and Tony Stark/Iron Man (Robert Downey Jr.) inevitably arises and turns bitter in the wake of their relentless campaigns to save humanity. The irony emerges amidst of their efforts, when greater authority finally asked who should be held accountable for the collateral damages brought both by their offensive and defensive operations. The motion begins to roll when a mission in Lagos resulted to unexpected amount of destruction and deaths.
Differences in views divide the once solid group into two colliding factions. With Stark and his allies resigned to submit under the Sokovia Accords, Captain and the rest of his team, move away with staunch stand to operate freely under no greater force's jurisdiction. There is an intelligent attempt from both sides to meet halfway, but battle line is imminently drawn as a result of another attack which Cap's best buddy, Winter Soldier now simply, Bucky Barnes is believed to orchestrate. Doctrinal contrasts force heroes to pick sides, and the resulting chaos ensues a much bigger damage than what came in the missions they've previously pulled off together.
While Joss Whedon's "Age of Ultron" is as massive as a superhero movie could be, Russo's Civil War is colossal in its own right, maintaining the former's size as it shifts to a more character- driven narrative, with its emotional weight heaviest on Steve Rogers' shoulders. There is a striking hint of effort to not overpopulate the proceedings with relentless chaos and destructions, but the ones inevitably allowed, are delivered in immaculate visual glory, each explosive action set- piece captured with breathtaking panoramic ingenuity.
Even with all the intersecting plot lines laid out for every important character of this superhero extravaganza, they all eventually converge at one point, in which Captain Rogers and his connection with Stark, plays a key part. There is a visceral profoundness in how his character is written that finally places him at the center of his own film, and Evans has his commitment fully deployed for the role. And for a film whose own size seems to undermine its very own titular hero, the accomplished feat is truly massive for Captain, himself.
A film of this size naturally gets devoured by its very own ambitions. Character-wise, Civil War is as big as the last two Avengers movies. And while Thor and Hulk are both missing in action here, newcomers are welcomed to fill in their shoes. The film facilitates the solid introduction of Chad Boswick's Black Panther, whose stand-alone film is due in 2018. But perhaps, as most people who've seen it, will say, the entry of the amazing web- slinger is the film's most anticipated highlight. Tom Holland's Spider- Man is a breath of fresh air, and it delivers some hope for the character's looming third big screen incarnation, next year. His comic timing may have been at par with that of Paul Rudd's Ant- Man, who shares one of the most genuine fanboy moments in the movie. This lightness comes amid the political tensions and philosophical differences between the opposing forces, one that is utterly missing in DC's Batman v Superman's messed-up attempt to pull off an essentially similar drama, last month.
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