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A Monster Calls (2016)

PG-13 | | Drama, Fantasy | 6 January 2017 (USA)
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A boy seeks the help of a tree monster to cope with his single mother's terminal illness.

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(screenplay), (based upon the novel written by) | 1 more credit »
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35 wins & 45 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Grandma
...
Mum
...
Dad
...
Mr. Clark
...
Harry
Oliver Steer ...
Sully
...
Anton
...
Max Gabbay ...
Steven
...
Max Golds ...
5-Year-Old Connor
...
Lily's Mum
...
Female Nurse
Patrick Taggart ...
Teacher
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Storyline

The monster does not come walking often. This time it comes to Conor, and it asks for the one thing Conor cannot bring himself to do. Tell the truth. This is a very touching story about a boy who feels very damaged, guilty and mostly angry. He struggles at school with bullies, and pity looks from everyone, and at home with his mother's sickness. Will Conor overcome his problems? Will everything be okay? Will Conor be able to speak the truth?

Plot Summary | Plot Synopsis

Taglines:

Stories are wild creatures.

Genres:

Drama | Fantasy

Motion Picture Rating (MPAA)

Rated PG-13 for thematic content and some scary images | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

| |

Language:

Release Date:

6 January 2017 (USA)  »

Also Known As:

Un monstruo viene a verme  »

Box Office

Budget:

$43,000,000 (estimated)

Opening Weekend:

$30,909 (USA) (23 December 2016)

Gross:

$3,730,982 (USA) (20 January 2017)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Affecting an English accent was second nature to Sigourney Weaver, since her mother was British. See more »

Goofs

Conor is in the same school class as Harry (the bully), who is three or four years older than him. While it might be explained that Harry has been flunked and held back repeatedly, such a statement is never explicitly made. Note to add: children are rarely held back in UK schools - more likely that Harry is either tall or this is a special class on a particular subject that includes children from multiple years. See more »

Quotes

[first lines]
Conor: [having a nightmare] Mama! Mama!
Conor: [waking] How does the story begin?
The Monster: It begins like so many stories. With a boy, too old to be a kid. Too young to be a man. And a nightmare.
See more »

Connections

Edited into Hollywood Express: Episode #15.2 (2017) See more »

Soundtracks

Robot Rovellado
Composed and Performed by For Fiesta
Voice by Lluís Segura
Bass by David Gallart
Drums: Marc Prades
Bass & Drums by Bernat Vilaplana
Guitar by Bernat Vilaplana
Soulphone by Marc Gómez del Moral
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Absolutely blown away
14 December 2016 | by (Vietnam) – See all my reviews

When I first walk into theater, I was not expecting much of this. Yeah, the first moments were so cliché I thought this would just be a mediocre movie at best. But after the movie, everything changed, and this became one of the best movies I've seen in years The director use beautifully rendered CGI to deliver the emotions of a struggling young boy coping with reality. It was already a hard concept that few movie successfully delivered, and yet he make so many people I know broke down in tears. Moreover, he also make use of the visual to express the incredibly complicated yet meaningful plot of the movie, constantly changing between fantasy and reality, truth and lies, acceptance and the growing of a boy into adulthood. The main actor while only a young man has already show signs of greatness, you can only wonder if he had already gone through all of this. He also actually took the time to developed each character, making the audiences attach to each and everyone of them. Which is why the ending was even more dramatic and sad for many of us And the soundtrack, oh man, the soundtrack just hit me where it really feels, this is probably the best part of this movie. Whether it's total silence for contemplation of characters or full- on orchestral work for the climax or the sad violin, man, they totally nailed it.


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