Kaira is a budding cinematographer in search of a perfect life. Her encounter with Jug, an unconventional thinker, helps her gain a new perspective on life. She discovers that happiness is all about finding comfort in life's imperfections.
Badrinath Bansal from Jhansi and Vaidehi Trivedi from Kota belong to small towns but have diametrically opposite opinions on everything. This leads to a clash of ideologies, despite both of them recognizing the goodness in each other.
A simple man, Vijay, is recruited by a police officer to masquerade as Don, the leader of an international gang of smugglers. But things go wrong when the officer is killed and Vijay is left to fend for himself.
Shah Rukh Khan,
During their college years, Anjali was in love with her best-friend Rahul, but he had eyes only for Tina. Years later, Rahul and the now-deceased Tina's eight-year-old daughter attempts to reunite her father and Anjali.
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The film is set in the early 80's and 90's in Gujarat. The fictitious story of a man who builds an empire in the state of Gujarat, the only state that still follows prohibition. It's a story about his rise and his relationships, which help him become the single most powerful man in the state. Written by
Review Raees (2017)..a puerile attempt in concocting a gangster-saga that must have looked amazing on paper! (2/5)
Rahul Dholakia's SRK starrer is a letdown, in many ways. It wastes an eager SRK who's looking to break away from his stereotyped image; it wastes an extremely talented Nawazuddin Siddiqui (to a trifling side-character who doesn't have much to do, so much so that his role in Bajrangi Bhaijaan looked better ugh!); it reduces the heroine to a mere prop who has a smile pasted on her face (almost 99% of the movie except for the end bits) and appears mostly just to adore the hero and dance with him; it fails to capitalize on an engaging bootlegger plot- line. The music and BGM are also ho hum. The twists are instantly forgettable.
The synopsis is something as ancient as the history of gangster films. Raees' childhood portions resemble the initial sequences of Kamal Hassan's Nayagan but carries none of the zest of the latter. There is no coming-of-age portion as such, a slight relief in a way (saves the viewer from further boredom). A few not-so-exciting action set pieces (one at a butcher shop and one a badly-done parkour set-piece!) keep the viewer from completely snoozing away. The movie does amp up its pace a bit in with the entry of Nawazuddin's Majmudar character but the viewer soon realizes that the director is only interested in following the tried n' tested template of the ruthless bootlegger outsmarting the cop on several occasions.
You do expect things to take a turn in the second half but again the yawns just keep piling on. The political angle and the forced insertion of a few non-fictional events are all done in underwhelming fashion. I did like Zeeshan Ayub's character of Sadiq but there is very little exploration done into any of the character psyches other than Raees' (that too for a film that runs close to 142 minutes).
SRK smirks, seethes, brawls and dances his way to glory in a role that requires him to maintain his charismatic screen-presence all throughout. He does succeed in doing so, partially, with the right set of expressions, his appearance and costumes quite on-point. Mahira Khan's role is unfortunately a forgettable one. Nawaz's one- liners make the viewer occasionally let out a chuckle but his character too is underwritten.
Overall, 'Raees' will most likely not be regarded as a winner in SRK's filmography but I still appreciate his boldness in trying to break away from his Dilwale/Happy New Year mode. Give it a watch on DVD later in the comfort of your home or when it airs on television!
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