A fictitious love story loosely inspired by the lives of Danish artists Lili Elbe and Gerda Wegener. Lili and Gerda's marriage and work evolve as they navigate Lili's groundbreaking journey as a transgender pioneer.
During the Cold War, an American lawyer is recruited to defend an arrested Soviet spy in court, and then help the CIA facilitate an exchange of the spy for the Soviet captured American U2 spy plane pilot, Francis Gary Powers.
ROOM tells the extraordinary story of Jack, a spirited 5-year-old who is looked after by his loving and devoted mother. Like any good mother, Ma dedicates herself to keeping Jack happy and safe, nurturing him with warmth and love and doing typical things like playing games and telling stories. Their life, however, is anything but typical--they are trapped--confined to a 10-by-10-foot space that Ma has euphemistically named Room. Ma has created a whole universe for Jack within Room, and she will stop at nothing to ensure that, even in this treacherous environment, Jack is able to live a complete and fulfilling life. But as Jack's curiosity about their situation grows, and Ma's resilience reaches its breaking point, they enact a risky plan to escape, ultimately bringing them face-to-face with what may turn out to be the scariest thing yet: the real world. Written by
Jacob Tremblay wore a wig in the scenes where Jack has long hair, and he said in one interview it was very itchy. When asked if he would ever grow his own real hair long, he gave an emphatic "no." See more »
The morning after "old Nick" hits Ma, Jack sees the bruises on her neck. Later, she has the idea to pretend Jack's got the fever, but she remarks it has to be that day because the power was cut. Therefore it is established that it only has passed one day, but her bruises are gone. You can't see either purple, blue, green, yellow, as the common stages of it. See more »
Ssh. Go back to sleep.
[reciting to himself]
Once upon a time, before I came, you cried and cried and watched TV all day, until you were a zombie. But then I zoomed down from heaven, through skylight, into Room. Whoosh-pshew! And I was kicking you from the inside. Boom, boom! And then I shot out onto Rug with my eyes wide open, and you cutt-ed the cord and said, "Hello, Jack!"
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Written and Performed by Jon Hopkins
Published by Domino Publishing Company Ltd and Notting Hill Music o/b/o Notting Hill Music (UK) Ltd
All rights administered by BMG Rights Management (US) LLC
Courtesy of Domino Recording Company Ltd See more »
I was lucky enough to see an advanced screening for this film. I had a toss up between two films to see and I chose this one based on the trailer and generally positive reviews (who likes to waste their time with bad movies).
This is one of those rare feats in filmmaking. The cinematography is great, but see this for the acting and the story. Not often has a movie made me cry, laugh, and shout out (aloud mind you) during the films run time. I don't want to spoil much of the story as it becomes obvious early on, what is actually going on. The magnificence of this film is in how the director was able to tackle the difficult subject matter in a way that doesn't leave you feeling like you saw an average thriller/horror movie, but really out it in perspective of the child, which I believe had a humanistic approach. It was amazing. Best movie of 2015, by a long shot and they're were great movies this year. (Im looking at you exmachina)
Not only I, but I feel absolutely everyone who left the theater left a better person for what they witnessed. Not often do I come out of the theater with people being more polite than they were upon entering. THAT is the power this movie has, I emerged myself in the experience and I'm glad I did, because "No one is strong alone", certainly not I, and I have a more profound idea of appreciation of my own life and existence til death. I will continue on my quest but I know that I will never forget this landmark film, what it taught me, and how it humbled everyone in the theater.
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