A retired legal counselor writes a novel hoping to find closure for one of his past unresolved homicide cases and for his unreciprocated love with his superior - both of which still haunt him decades later.
Juan José Campanella
A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
The film is divided into six segments. (1) "Pasternak": While being on a plane, a model and a music critic realise they have a common acquaintance called Pasternak. Soon they discover that every passenger and crew member on board know Pasternak. Is this coincidence? (2) "The Rats": A waitress recognizes her client - it's the loan shark who caused a tragedy in her family. The cook suggests mixing rat poison with his food, but the waitress refuses. The stubborn cook, however, decides to proceed with her plan. (3) "The Strongest": Two drivers on a lone highway have an argument with tragic consequences. (4) "Little Bomb": A demolition engineer has his car towed by a truck for parking in a wrong place and he has an argument with the employee of the towing company. This event destroys his private and professional life, and he plots revenge against the corrupt towing company and the city hall. (5) "The Proposal": A reckless son of a wealthy family has an overnight hit-and-run accident, in ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In the sequence where "Bombita" prepares the attack, the background music is the one that was used in the program "La salud de nuestos hijos" ("The health of our children") hosted by Mario Socolinsky. The song is called "Aire Libre" performed by Lucien Belmond / composed by Drafi Deutscher and Günter Beyer (1973). See more »
When the bride calls her husband's "guitar teacher", the screen is off even though the phone is in front of her and it's supposed to be in call mode. See more »
In the opening credits of the film, each actor is identified and accompanied by the image of a wild animal. In the case of the director (Szifrón), he chose a fox, the reason is not only because he is red haired: "The fox was an animal that my dad really liked, he always saw foxes documentaries, I think that's why I chose it..." See more »