When the newly crowned Queen Elsa accidentally uses her power to turn things into ice to curse her home in infinite winter, her sister, Anna, teams up with a mountain man, his playful reindeer, and a snowman to change the weather condition.
The magically long-haired Rapunzel has spent her entire life in a tower, but now that a runaway thief has stumbled upon her, she is about to discover the world for the first time, and who she really is.
In a city of humanoid animals, a hustling theater impresario's attempt to save his theater with a singing competition becomes grander than he anticipates even as its finalists' find that their lives will never be the same.
In order to power the city, monsters have to scare children so that they scream. However, the children are toxic to the monsters, and after a child gets through, 2 monsters realize things may not be what they think.
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From the largest elephant to the smallest shrew, the city of Zootopia is a mammal metropolis where various animals live and thrive. When Judy Hopps becomes the first rabbit to join the police force, she quickly learns how tough it is to enforce the law. Determined to prove herself, Judy jumps at the opportunity to solve a mysterious case. Unfortunately, that means working with Nick Wilde, a wily fox who makes her job even harder. Written by
When Duke Weaselton is about to be iced at Mr. Big's place, he says "They offered me what I couldn't refuse. Money", a clear reference to the famous dialogue said by Marlon Brando's character Don Corleone, "I'm gonna make him an offer he can't refuse." from The Godfather (1972). In the earlier context, it actually meant that he was going to threaten to kill someone in order to get them to do what he wanted. See more »
When Judy captures Duke Weaselton with the Big Donut, she does so with the chocolate frosted sprinkled side down. But when they arrive at the police station, Weaselton is rolled in the Big Donut with the chocolate frosted sprinkled side up. See more »
Fear. Treachery. Bloodlust. Thousands of years ago, these were the forces that ruled our world. A world where prey were scared of predators. And predators had an uncontrollable, biological urge to maim and maul and...
[acting in a talent show, a small animal in a tiger costume attacks Young Hopps]
[throws red confetti into the air as if it's coming out of her body]
Blood! Blood! Blood!
[...] See more »
The first Disney animated picture, excluding Pixar, to feature the 'Disney Presents' credit since Winnie the Pooh, which was also the last to feature its full name 'Walt Disney Pictures Presents'. See more »
From the studio that brought you Tangled, Wreck-It Ralph, Frozen & Big Hero 6, Zootopia surfaces as a highly original, incredibly refreshing, thoroughly engaging, surprisingly timely & delightfully subversive beast fable about prejudice & stereotype that not only marks a new creative high for Disney but is arguably the finest film that this legendary animation studio has come up with in their Revival Era, so far.
Set in a world inhabited by anthropomorphic animals, the story of Zootopia takes place in the titular metropolis and follows a bunny cop named Judy Hopps who, despite her par excellent performance in the class, is assigned parking duty by her superior. But when she volunteers to undertake a missing-predator case, she is given 48 hours to solve the mystery or resign, following which she blackmails a sly fox into helping her, and uncovers a sinister conspiracy.
Co-directed by Byron Howard & Rich Moore, the duo put up an intriguing world on the screen that does have a fresh quality but there is still a deep sense of familiarity to it. However, where the two leave a lasting impression is in finding that perfect balance between its consistently gripping storyline & moments of pure hilarity. The writing staff also deserves a mention, for their screenplay brims with numerous pop culture references, parodies many renowned classics & handles its topical themes with care.
The 3D animation is absolutely top-notch, for the images retain its crispness, clarity & vibrancy from beginning to end. The animators put up a vast number of characters on the screen, ranging from the largest elephant to the smallest shrew, yet they are all given a well-defined arc. Cinematography further enhances the overall look n feel of the story with its fluid camera-work, splendid use of colour palette & spot-on lighting. Editing provides just enough screen time to all the relevant characters while moving the plot forward at a blistering pace.
The cast is wisely chosen, and all the actors do a competent job in lending their voice & soul to the mammals they play. Ginnifer Goodwin brings a bubbly side to the new cop in town and confidently plays her role. Jason Bateman plays his part with finesse plus his voice really fits his cynical con artist character. Also, the chemistry between the two is a highlight in itself. Michael Giacchino's ebullient score seamlessly blends in & compliments the narrative while Shakira beautifully wraps everything up with a catchy, uplifting & wonderful song that smartly summarises its themes & message.
On an overall scale, Zootopia finds Disney stepping out of its comfort zone to tackle a bold, ambitious & risky project, and it is one gamble that pays off tremendously well in the studio's favour. Also, its arrival couldn't have been better, considering how its elements of prejudice & stereotypes mirror the racial hostilities present in our very own current social environment. An ingenious blend of sophisticated storytelling, jubilant humour & thought-provoking themes that amazes, entertains & enlightens without ever compromising with the fun factor, Zootopia is a definite delight for viewers of all ages, and is undoubtedly the best film of the year, so far. Strongly recommended.
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