Katee Sackhoff talks about what it's like to be a part of "Star Wars: Rebels" and reveals the inspiration for her character on "The Flash." Plus, we get our Jedi on and learn how to wield a lightsaber.
WWII American Army Medic Desmond T. Doss, who served during the Battle of Okinawa, refuses to kill people, and becomes the first man in American history to receive the Medal of Honor without firing a shot.
During the Cold War, an American lawyer is recruited to defend an arrested Soviet spy in court, and then help the CIA facilitate an exchange of the spy for the Soviet captured American U2 spy plane pilot, Francis Gary Powers.
A five-year-old Indian boy gets lost on the streets of Calcutta, thousands of kilometers from home. He survives many challenges before being adopted by a couple in Australia. 25 years later, he sets out to find his lost family.
Troy Maxson makes his living as a sanitation worker in 1950s Pittsburgh. Maxson once dreamed of becoming a professional baseball player, but was deemed too old when the major leagues began admitting black athletes. Bitter over his missed opportunity, Troy creates further tension in his family when he squashes his son's chance to meet a college football recruiter. Written by
Although August Wilson had long worked on the screenplay adaptation of his own play Fences, the film's script was still incomplete when Wilson died in 2005. In January 2016, Deadline Hollywood reported that producer Scott Rudin had hired the Tony- and Pulitzer-winning playwright Tony Kushner to finish Wilson's screenplay. In December 2016, the New York Times reported that although Kushner didn't receive a writing credit for the final film, he did get "a prominent mention as a co-producer" instead. As of 2016, it is Kushner's only-ever credit as a producer on a movie. See more »
When Cory appears in 1962 in his Marine Corps dress blues, he has the Vietnam Service Ribbon, not established until 1965. See more »
[riding their garbage truck job]
Troy, you oughta stop that lyin'.
I ain't lyin'. The nigger had a watermelon this big. Talkin' about "What watermelon, Mr. Rand?" I liked to fell out... "What watermelon, Mr. Rand?" And it's sittin' there bigger than life.
What Mr. Rand said?
He said nuthin'. He figured the nigger too dumb to know he carryin' a watermelon, he wouldn't get no sense out of 'im. Trying to hide that great big watermelon under his coat. Afraid to let the white man see him...
See more »
Denzel Washington, With One Of The Best Films Of 2016
Denzel Washington is clearly one of the best actors we have ever had, African-American or otherwise. Whether it has been in serious, sober-minded films like GLORY, MALCOLM X, and COURAGE UNDER FIRE, or explosive action films like CRIMSON TIDE, MAN ON FIRE, and UNSTOPPABLE, Washington has given all of himself, and then some. And then, like more than a few great actors, he also itched to get behind, as well as in front of, the camera as a director, which he did in 2002 with ANTWONE FISHER, and again in 2007 with THE GREAT DEBATERS. He does double duty again for one of the most insightful and true films of 2016, FENCES.
Scripted by noted playwright August Wilson from his own Pulitzer Prize-winning play, FENCES stars Washington as an average Joe-type sanitation worker in late 1950s Pittsburgh dealing with the world at large. He had been a baseball player once before World War II, but it never amounted to much; and when one of his sons (Jovan Adepo) wants to get into football while going to college, Washington tries to steer him away, managing only to alienate his son further than he already is. Washington does have a good friend in Mr. Bono (Stephen Henderson), but he is still troubled by a dark park of himself, one that threatens the eighteen-year marriage between him and his wife Rose (Viola Davis).
Adapting stage plays to the screen is not exactly the easiest thing in the world to do, because what works on a stage needs a great deal to transfer it to a movie, and a real, breathing set. Fortunately, Washington found a way of making it happen by filming in a part of Pittsburgh that seems not to have changed all that much from the way it must have looked in the actual time that FENCES is set. Wilson's stage play and screenplay are full of language and slang that is very right for the times, and, yes, this does include a profuse use of the 'N' word. But a certain amount of uncomfortable language is what is necessary for a story like this, especially given that it involves not only Washington on both sides of the camera, but also another hugely superb performance by Davis as his wife, who manages to somehow stand by her man despite the horrible secret he reveals near the end. Equally fine in supporting roles are Adepo and Henderson, as well as Mykelti Williamson as a former war buddy of his whose mind isn't right because of a severe head wound suffered in the war, and Russell Hornsby as Washington's son by an earlier marriage who constantly comes to his dad on payday for ten-dollar loans.
Though it is an African-American cast and story, FENCES works because it feels universal, and it is a story that could happen in any family, regardless of skin color or ethnicity. Washington and Wilson (who passed away in 2005, and thus never saw FENCES make it to the big screen) make this very clear but in a non-heavy-handed way, and with dialogue scenes that are often long but never dull, earning it justifiable and favorable comparisons to Arthur Miller's classic "Death Of A Salesman".
All of these elements make FENCES easily one of the best films of 2016, and a sure-fire winner likely to be regarded as a classic in a very short time.
51 of 95 people found this review helpful.
Was this review helpful to you?