WWII American Army Medic Desmond T. Doss, who served during the Battle of Okinawa, refuses to kill people, and becomes the first man in American history to receive the Medal of Honor without firing a shot.
When mysterious spacecraft touch down across the globe, an elite team - led by expert linguist Louise Banks - is brought together to investigate. As mankind teeters on the verge of global war, Banks and the team race against time for answers - and to find them, she will take a chance that could threaten her life, and quite possibly humanity.
When Ian suggests the names for the heptapods, he is referencing Bud Abbott and Lou Costello's comedy routine "Who's on first". As the bit starts, Abbott states "Who's on first, What's on second, and I don't know is on third." several times. Costello doesn't understand and his questions of which player is on which base are taken as true or false statements needing affirmation or correction. For example "Who's on second base?" - "No, Who's on first." - "I'm not asking what's the guy on first." - "What's on second." - "I don't know the guy's name on second." - "No, he's on third base." - "Who's on third?" - "No, Who's on first." - "Who's on first?" - "Yes" and so forth. Both Abbott and Costello's bit and Arrival show the ease of misunderstanding while communicating. See more »
The language displayed for shots of Pakistan and Pakistani news channel are in Arabic. Whereas the main and dominant literary languages used in Pakistan are Urdu and English. Arabic is spoken by barely 1% of the population and is never used in news channels. See more »
Like their ship or their bodies, their written language has no forward or backward direction. Linguists call this "nonlinear orthography," which raises the question, "Is this how they think?"
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Denis Villeneuve's daughter, Salomé Villeneuve, is listed as "Hazmat Suit Specialist". See more »
Prior to approaching this film, a word of warning that it is what many like to call a "thinking person's sci-fi". If you're going to watch this, I beg that you dedicate your utmost attention to it, as it is truly one rewarding experience, one of the smartest, most well-constructed science fiction marvels of recent years. 'Arrival' is Villeneuve's magnum opus.
Firstly, to put your mind at ease, I won't be analysing the plot, thus avoiding the use of spoilers. This decade, Villeneuve has crafted some fantastic works of art in the form of 'Prisoners', 'Sicario' and now this science fiction gem, and here's hoping his career further develops with more movie masterpieces coming our way. In a world where mysteries remain and the possibility of extraterrestrial life still stands unanswered, 'Arrival' approaches this with it's cliché-free take on the genre.
The relatively unknown Bradford Young provides the film with some of the most stunning cinematography ever conceived, taking advantage of the twilight hour to give the film its somewhat unique look, supported magnificently by Icelandic composer Jóhann Jóhannsson whose score is both haunting and beautiful. If you're someone looking for a science-fiction tale that keeps you guessing and thinking throughout, with fantastic performances, cinematography, music and near-flawless direction, then 'Arrival' is the film for you. The masterpiece of 2016!
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