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Arrival (2016)

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When twelve mysterious spacecrafts appear around the world, linguistics professor Louise Banks is tasked with interpreting the language of the apparent alien visitors.

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(screenplay by), (based on the story "Story of Your Life" written by)
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Cast

Cast overview, first billed only:
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12-Year-Old-Hannah
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Frank Schorpion ...
Dr. Kettler
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Private Combs
Lucy Van Oldenbarneveld ...
CNAC Anchor
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Environmental Tech
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Environmental Tech
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Storyline

Linguistics professor Louise Banks leads an elite team of investigators when gigantic spaceships touchdown in 12 locations around the world. As nations teeter on the verge of global war, Banks and her crew must race against time to find a way to communicate with the extraterrestrial visitors. Hoping to unravel the mystery, she takes a chance that could threaten her life and quite possibly all of mankind. Written by Jwelch5742

Plot Summary | Plot Synopsis

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Why are they here?


Motion Picture Rating (MPAA)

Rated PG-13 for brief strong language | See all certifications »

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Details

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Release Date:

11 November 2016 (USA)  »

Also Known As:

Story of Your Life  »

Filming Locations:

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Box Office

Budget:

$47,000,000 (estimated)

Opening Weekend:

$24,000,000 (USA) (11 November 2016)

Gross:

$100,546,139 (USA)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The Hungarian word that Halpern refers to is "szalámitaktika." (In English, this translates to "salami tactics.") The word refers to divide the opposition, to only have to face smaller, weaker enemies. See more »

Goofs

When Banks and Donnelly are arriving at the Montana site, they are shown traveling in a CH-47 Chinook, a tandem rotor helicopter. However, as they are circling for landing, the shadow of their helicopter only has one rotor. Actually, the CH-47 Chinook seen in those shots is a different helicopter landing at the base as the same time they are and seen from their point of view. The helicopter they are traveling in has one rotor. See more »

Quotes

[first lines]
Dr. Louise Banks: [narrating] I used to think this was the beginning of your story. Memory is a strange thing. It doesn't work like I thought it did. We are so bound by time, by its order.
Dr. Louise Banks: [coddling her baby girl] Okay. Okay. Come back to me. Come back to me. Come back to me.
Dr. Louise Banks: [later playing with her in the yard] Stick 'em up! Are you the sheriff in this here town? These are my tickle guns, and I'm gonna getcha!
6-Year-Old-Hannah: No!
Dr. Louise Banks: You want me to chase you? You better run!
6-Year-Old-Hannah: [giggling and scampering]
See more »

Crazy Credits

Right after the cast credits, "On the Nature of Daylight" by Max Richter is given an extra credit as the "Beginning and end music" in addition to the usual soundtrack credit near the end of the credit roll. See more »

Connections

References 2001: A Space Odyssey (1968) See more »

Soundtracks

Kangaru
Written by Jóhann Jóhannsson
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Frequently Asked Questions

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User Reviews

 
ARRIVAL: The Best Sci-fi Film Since CONTACT
14 October 2016 | by (United States) – See all my reviews

ARRIVAL delivers on so many levels it's impossible to describe without spoilers. The book is out there, so if you really must know before you see a film, read, "The Story of Your Life" by Ted Chiang...but I highly recommend you see the movie first. Honestly. You want it to unfold as a warm, fresh croissant on a chilly morning, and melt in your mouth.

From visually stimulating scenes to an unexpected score masterfully composed by Jóhann Jóhannsson you recognize at once this is a thinking film you'll long remember.

One scene in particular features a cloud that took my breath away. Sure, the extraterrestrial vehicle was amazing, but that cloud... As a photojournalist of nearly fifty years, I was stunned at the lifelike character of the cloud and suspected it was real, though I knew that was impossible; you can't cue Mother Nature when it's time to roll. I wanted to praise the CGI team for the effect, but Shawn Levy confirmed it was natural. They had set up to shoot this wide shot, worried about impending rain, or too much wind, or the lighting being too dark for the right effect, but the cloud wanted to become a star that day, and it rolled into frame with absolute perfection. This scene alone is worth a nod to Bradford Young for best cinematography.

The special effects team delivered, too.

Amy Adams performance was stunning. Sci-fi is largely disregarded when awards are passed out, but if the Academy neglects to acknowledge Adams work in this film, I may boycott them forever. Adams is Oscar-worthy for a Best Actress nomination for her character of linguist Dr. Louise Banks in this one, though Meryl Streep will most likely take it for Florence Foster Jenkins.

It is clear the five years taken to bring this story to the screen were well worth the work.

Ten well-deserved stars for ARRIVAL. I wish it a huge success at the box office so this team will continue to make more films of this caliber.


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