A veteran tracker with the Fish and Wildlife Service helps to investigate the murder of a young Native American woman, and uses the case as a means of seeking redemption for an earlier act of irresponsibility which ended in tragedy.
A dark force threatens Alpha, a vast metropolis and home to species from a thousand planets. Special operatives Valerian and Laureline must race to identify the marauding menace and safeguard not just Alpha, but the future of the universe.
The last Gunslinger, Roland Deschain, has been locked in an eternal battle with Walter O'Dim, also known as the Man in Black, determined to prevent him from toppling the Dark Tower, which holds the universe together. With the fate of the worlds at stake, good and evil will collide in the ultimate battle as only Roland can defend the Tower from the Man in Black.
When their headquarters are destroyed and the world is held hostage, the Kingsman's journey leads them to the discovery of an allied spy organization in the US. These two elite secret organizations must band together to defeat a common enemy.
The crown jewel of Her Majesty's Secret Intelligence Service, Agent Lorraine Broughton (Theron) is equal parts spycraft, sensuality and savagery, willing to deploy any of her skills to stay alive on her impossible mission. Sent alone into Berlin to deliver a priceless dossier out of the destabilized city, she partners with embedded station chief David Percival (James McAvoy) to navigate her way through the deadliest game of spies. Written by
Use of the Wilhelm scream during the apartment fight as Lorraine is jumping out of the window. See more »
When the KGB thug starts the music, the PLAY button on the boombox stays depressed, as is normal for a cassette player from the period. However, when he smashes the boombox minutes later, the PLAY button is no longer depressed although the music is still playing. See more »
Written by Uwe Fahrenkrog-Petersen (as Joern Fahrenkrog-Petersen) and Karlo Carges (as Carlo Karges)
Performed by Nena
Courtesy of Sony Music Entertainment Germany GmbH
By arrangement with Sony Music Licensing See more »
Comic book violence with no plot and a look derivative of Sin City: rubbish.
It's rare my wife and I walk out of a movie, but after one hour and fifteen minutes of unrelenting violence, interrupted only by a couple of minutes of lesbian sex, my wife finally declared herself unable to stomach more. I was only too happy to follow her lead. If I'd known before I bought the tickets that Atomic Blonde was based on a graphic novel (i.e. a comic book) I would never have gone - but it's billed as an Action Movie, a genre we enjoy. It's not.
It's a childish procession of violence upon violence in which the heroine marches unidirectionally through a series of wastelands, assailed by an eternal parade of disposable goons, whom she dispatches routinely with bureaucratic disinterest in a variety of not especially creative ways. It's like watching a geeky friend play a long, self-absorbed game of space invaders; it loses its appeal after just a few seconds, and you start to wonder what's happening outside and whether you should find some more fun people to hang out with. Even the sex scene is clearly there only to satisfy the starved lust of the teenaged boys this movie addresses. 'Let's take a break from the faux kung fu and double handed pistol work, lads, here's a couple of hot naked chicks! Oh no, it's bed time...'
Atomic Blonde lacks the charm, humour and suspense of the classic action movies, The Bourne Identity, the Best Bonds (Casino Royale, Goldfinger...), Die Hard, take your pick... If only it were held together by some kind of story, some essence of danger, or an original idea, or even one character for whom one could care, it might make a difference. Of course, there are none of the above. What's this 'List' they're all worked up about? Is it the same 'List' as in the first Mission Impossible? So why can't they make it fun like that one?
Charlize Theron is a terrific actress and jaw-droppingly beautiful, but she stalks through this movie stone-faced and bored and without a single good line to make her interesting (in fact the dialogue overall is just awful). Every character is a stereotype, none of them original, and I cannot remember one single line - if there were any.
Technically it's well shot, lit and equipped, but the Sin City atmosphere has been done before. The stunts are generally well done - but we've seen them all before. It is, I'm afraid, derivative rubbish.
57 of 113 people found this review helpful.
Was this review helpful to you?