When their headquarters are destroyed and the world is held hostage, the Kingsman's journey leads them to the discovery of an allied spy organization in the US. These two elite secret organizations must band together to defeat a common enemy.
A dark force threatens Alpha, a vast metropolis and home to species from a thousand planets. Special operatives Valerian and Laureline must race to identify the marauding menace and safeguard not just Alpha, but the future of the universe.
The last Gunslinger, Roland Deschain, has been locked in an eternal battle with Walter O'Dim, also known as the Man in Black, determined to prevent him from toppling the Dark Tower, which holds the universe together. With the fate of the worlds at stake, good and evil will collide in the ultimate battle as only Roland can defend the Tower from the Man in Black.
A veteran tracker with the Fish and Wildlife Service helps to investigate the murder of a young Native American woman, and uses the case as a means of seeking redemption for an earlier act of irresponsibility which ended in tragedy.
The crown jewel of Her Majesty's Secret Intelligence Service, Agent Lorraine Broughton (Theron) is equal parts spycraft, sensuality and savagery, willing to deploy any of her skills to stay alive on her impossible mission. Sent alone into Berlin to deliver a priceless dossier out of the destabilized city, she partners with embedded station chief David Percival (James McAvoy) to navigate her way through the deadliest game of spies. Written by
When Lorraine kicks a policeman backwards through a glass table, a puff of smoke from the squib that shatters the table is visible on the left. This was confirmed by the stunt coordinator in a featurette about the stunts in that particular scene. See more »
Major Tom (Völlig Losgelöst)
Written by Peter Schilling (as Pierre Schilling)
Performed by Peter Schilling (as Pierre Schilling)
Courtesy of Warner Music Germany
By arrangement with Warner Music Group Film & TV Licensing See more »
The film 'looks good' in a way few others do. That is not meant as a compliment, it felt as though the aesthetic was the ONLY thing the film's creators cared about.. even the soundtrack became irksome as one cool track after another was put in, for no apparent reason other than to keeeeep saying 'how 'COOL' are we?'. The lesbian sex scene.. Ugh! Like everything else; so contrived, so choreographed and so self-aware.
This film will likely best be enjoyed by the vapid, shallow generation who care about image and nothing else, or those who like end-to-end fight scenes without any story-line or character development to make them interesting.
I should also like to add it feels like the alcohol and tobbacco industry financed a lot of this movie, as the smoking and drinking follows the same 'cool' line and is as ever-present as the fight scenes.
Looked good, bored the pants off me. One hopes this isn't the direction film-making is going.
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