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Blue Jasmine (2013)

PG-13 | | Drama | 23 August 2013 (USA)
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A New York socialite, deeply troubled and in denial, arrives in San Francisco to impose upon her sister. She looks a million, but isn't bringing money, peace, or love...

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Won 1 Oscar. Another 53 wins & 75 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Joy Carlin ...
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Glen Caspillo ...
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Hal
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Max Rutherford ...
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Ted Neustadt ...
Hal and Jasmine's Friend
Andrew Long ...
Hal and Jasmine's Friend
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Storyline

Jasmine French used to be on the top of the heap as a New York socialite, but now is returning to her estranged sister in San Francisco utterly ruined. As Jasmine struggles with her haunting memories of a privileged past bearing dark realities she ignored, she tries to recover in her present. Unfortunately, it all proves a losing battle as Jasmine's narcissistic hangups and their consequences begin to overwhelm her. In doing so, her old pretensions and new deceits begin to foul up everyone's lives, especially her own. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Plot Synopsis

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Drama

Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic material, language and sexual content | See all certifications »

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Details

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Release Date:

23 August 2013 (USA)  »

Also Known As:

Burû Jasumin  »

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Box Office

Budget:

$18,000,000 (estimated)

Opening Weekend:

$612,064 (USA) (26 July 2013)

Gross:

$33,404,871 (USA) (28 March 2014)
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Company Credits

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Bradley Cooper was considered for a role but he dropped out due to scheduling conflicts. See more »

Goofs

When Jasmine grabs the Vodka bottle in Ginger's living room, it is almost empty. In the next shot it is 3/4 full. See more »

Quotes

Jasmine: But that's all history boys, I met someone, I'm a new person.
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Connections

Referenced in Nostalgia Critic: Mamma Mia! (2015) See more »

Soundtracks

Love Theme
Composed & Performed by David Chesky
Courtesy of Manhattan Production Music
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Frequently Asked Questions

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User Reviews

 
One of Woody Allen's most unsuspecting heavyweight films in a long time.
9 August 2013 | by (Suffolk, England) – See all my reviews

Sometimes it feels like Woody Allen is deliberately hit and miss. Every other film appears to be a winner so it's become easy to just skip the mediocre ones. I thought Midnight In Paris was pretty good but I felt like its idea wasn't explored well enough and it became too repetitive. Blue Jasmine is a film that feels like it'll be another basic story at first then as the tragedy slowly unravels, it becomes all the more fascinating. At first the film's structure of flashbacking without transition is a little frustrating as the present time doesn't give you much to chew on in the first place, but it soon becomes clear that this was the only way to tell this brilliant and complex story of a woman's place in the world. Cate Blanchett is setting the reviews on fire and she certainly deserves it. I've always loved her engrossing theatrical style in films like The Aviator and The Curious Case of Benjamin Button and I've missed her since.

Here she is in full force as she switches from glamour to glare seamlessly and effortlessly. Blanchett has often played strong women and she tiptoes the line of Jasmine's strength and vulnerability both with and without sympathy. It's incredible to watch. Although I was concerned I was going to only appreciate the performance and not connect with the character, I ended up finding her struggle to feel useful in the working world and not knowing how to achieve her ambitions to cut deep into the first world human anxieties about identity and self- worth. It's great to have a film that addresses those issues so earnestly, without feeling self- pitying. Although the spotlight is on her, there's plenty of room for the supporting players to shine with the delightful comic relief performances from Louis C.K., Michael Stuhlberg and Max Casella and deceptively charming performances from Alec Baldwin, Andrew Dice Clay and Peter Sarsgaard. The real talent on the side belongs to Sally Hawkins and Bobby Cannavale who give compelling and heartbreaking performances.

I like how Allen has such confidence in his shooting style of simple wides and closeups that he doesn't let it get in the way of the story but sometimes it does feel bland rather than just Woody's brand. It sometimes feels like the story is taking uninteresting broad strokes with its archetypes but when the details come in like a mystery novel, they enrichen the story and leave just before they drown you making you want more. Perhaps Allen could've made a better job of making me intrigued in the details but that makes the pay-offs all the more sweeter. However, I'm not quite sure what to make of the ending, perhaps Allen is trying to say there's some people who can and can't be fixed, I'm not sure, but it's a fascinating tragic comic tale nonetheless. Maybe it's intended as a punishment film regarding the sin of greed. That would make sense though it wouldn't be as satisfying. It's been compared to A Streetcar Named Desire a lot but I don't remember much of that story despite having seen it twice. I think I prefer Blue Jasmine. One of Allen's most unsuspecting heavyweight films in a long time.

8/10


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