Robbed of his birthright, Arthur comes up the hard way in the back alleys of the city. But once he pulls the sword from the stone, he is forced to acknowledge his true legacy - whether he likes it or not.
In the near future, a weary Logan cares for an ailing Professor X, somewhere on the Mexican border. However, Logan's attempts to hide from the world, and his legacy, are upended when a young mutant arrives, pursued by dark forces.
57 years later, Ellen Ripley is rescued by a deep salvage team during her hypersleep. The moon from the original movie has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
After her last encounter, Ripley crash-lands on Fiorina Fury 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she brought along an unwelcome visitor.
Charles S. Dutton,
Almost eleven years after the futile and disastrous expedition on the distant moon LV-223, the deep-space colonisation vessel Covenant equipped with more than 2,000 colonists in cryogenic hibernation, sets a course for the remote planet Origae-6 with the intention to build a new world. Instead, a rogue transmission will entice the crew to a nearby habitable small planet which resembles The Earth. The unsuspecting members of Covenant will have to cope with biological foes, beyond human comprehension. Ultimately, what was intended as a peaceful exploratory mission, will soon turn into a desperate rescue operation deep into the cold infinite space. Written by
According to Ridley Scott, principal photography for this movie took place in just 74 days for $111 million. It was finished on budget and on time. See more »
Near the end of the film, David asks the computer ("Mother") to play the entrance to ValHalla from Act 2 of Wagner's "Das Rheingold". The opera consists of 4 scenes in a single act, and the music is from Scene 4. See more »
In some ways its excellent, but as an Alien film its infuriating
In the first 20 minutes I was so happy with Covenant. It felt sharp, atmospheric, there are interesting character situations, emotive moments and infinitely better writing than we had in Prometheus. As it progresses, this feeling continues - thankfully, a solid sci-fi film that got it right.
Then Ridley starts to indulge in his convoluted ideas about creation and destruction. Its like switching from 1977 George Lucas to 1999 Lucas. You can almost hear Ridley at a writing meeting saying "this'll be cool, and this, and this, and then this" and the writer saying "uh, is this for the same film or later in the series?" "Yeah just cram it all in, make it happen".
You end up with three different films - a first act like a modern Alien which I loved, a middle act of Prometheus style philosophizing that feels like more Westworld, then a last act of two shoe-horned in action scenes homaging Aliens and Alien 3 respectively. Except there is no satisfaction at all, because the aliens are rushed, a bit silly, often awkwardly CGI looking, and not even convincing as threats because we don't care about any of it.
By the end I just have no idea what to think. I just think it would have worked much better if the ideas were done justice in their own film, rather than ham-fistedly trying to ram them into an Alien film to try and please fans and make box-office.
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