During one year, Joseph Paris filmed from the inside the Femen movement; its acts, its shocks and confrontations, its smokes and noises, but also its circumstances, its doubts, and ... See full summary »
In this three-part series Richard Dawkins, the evolutionary scientist and bestselling author, takes us on a journey of discovery. How does evolution work? How do we know it's true - and why... See full summary »
The Naked Cowboy,
Ideas about the soul and the afterlife, of sin and God's purpose have shaped human thinking for thousands of years. Religious rituals remain embedded in the major events of our lives. In ... See full summary »
Letting Go of God is a humorous monologue by Julia Sweeney chronicling her search for God. She begins in the Catholic church, the religion her family raised her in, and takes a Bible study ... See full summary »
Richard Dawkins' highly critical documentary attacks the pulsing heart of all mainstream religion- faith; with special focus on Islam, Judaism, and Christianity. Contains repeated ... See full summary »
A group of strangers who wake up in what appears to be an abandoned building, unable to remember how they got there, find themselves haunted by strange visions and are forced to face all the wrongs they have done in their lives.
Greg A. Sager
In New York City, a small group of passionate women launch a revolution movement to "Free the Nipple" and decriminalize the female body. Based on a true story, this mass movement of topless women, armed with First Amendment lawyers, graffiti installations and national publicity stunts, invade New York City to protest the backwards censorship laws in the USA. The film centers on a liberal journalist, named With, who sees potential in a story and hooks herself up with the group of women, led by the idealistic and eccentric Liv, and works with the close-knit of to follow the group in their quest. Written by
This low budget production is based on a true story. It was produced by, directed by, and written by Lina Esco. The story is about activism in New York City to establish the right of women to show their breasts in public. The courts already said that women have that right, but local police still harassed women who go topless.
By the end of the film, the cause is broadened to emphasize all censorship, including film censorship. This is how it should be, as the display of female anatomy is part of the larger issue of self-expression and the libertarian viewpoint that we all have the right to act however we wish as long as we are not hurting another. As the film rightfully points out, religions play a central role in the creation of taboos and the exercise of censorship.
But the best part of the film is Lina Esco, whose presence as the central character of this film has an energy that reminds me of Angelina Jolie or Katie Holmes.
I did find it confusing that the film sometimes pixelates the topless women. Obviously, this was done for artistic reasons, because the film does not shy from the display of nudity, per its purpose. But this is a minor confusion; it does not dampen the film's enthusiasm for its cause.
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