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Arrêtez-moi (2013)

Un soir, une femme se rend dans un commissariat pour confesser le meurtre de son mari violent, commis il y a plusieurs années. Seulement plus la policière de permanence interroge cette ...

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(novel), (scenario)
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1 nomination. See more awards »

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Cast

Cast overview, first billed only:
...
La coupable
...
Pontoise
Yann Ebonge ...
Joliveau
Marc Barbé ...
Jimmy
Valérie Bodson ...
Madeleine
Arthur Buyssens ...
Cédric (17 ans)
Vadim Goudsmits ...
Cédric (7 ans) (as Vadim Goudsmit)
Claudine Pelletier ...
La mère de Jimmy
...
Mémé Gardie
Roger De Moerloose ...
Pépé Cale-Pieds
Dinara Drukarova ...
Pontoise (30 ans)
Serge Hollogne ...
Le bouclé
...
Le gardien (le bouclé)
Frédéric Frenay ...
Le gardien de la paix
Patrick Hastert ...
Le policier en civil
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Storyline

Un soir, une femme se rend dans un commissariat pour confesser le meurtre de son mari violent, commis il y a plusieurs années. Seulement plus la policière de permanence interroge cette femme, plus elle connait sa vie, moins elle a envie de larrêter. Pourquoi cette femme que personne ne soupçonnait veut-elle absolument être reconnue coupable ? Pourquoi cette policière ne veut-elle absolument pas larrêter ? Lune des deux gagnera. Mais que veut dire gagner dans ce genre de circonstances ?

One evening, a woman goes to a police station to confess the murder of her abusive husband, committed many years ago. Only the most continuously Police questioned the woman, she knows more than his life, the less it wants to stop. Why is this woman that nobody suspected she absolutely wants to be convicted? Why does the police she absolutely not stop? One of the two will win. But what does it mean to win in such circumstances?

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Genres:

Thriller

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Details

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Release Date:

6 February 2013 (France)  »

Also Known As:

Aresztujcie mnie!  »

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Sound Mix:

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Aspect Ratio:

2.35 : 1
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Soundtracks

S love
Written by 'Cyril Morin'
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User Reviews

 
A very poignant movie, skillfully directed and superbly acted.
3 October 2015 | by (Argentina) – See all my reviews

A very poignant movie with a harsh subject and a claustrophobic setting. For me it was a riveting experience. Most of the film is deployed against the background of a French police station of the province. The gist of the story is communicated by the interaction between the two female leads, Sophie Marceau, the guilty woman that after ten years of the facts, comes to denounce herself for the assassination of her abusive husband, and Miou-Miou, the old hand and weary lieutenant of police that, due to her bad luck, was on duty filling the night shift. At first, I was very doubtful about seeing this kind of film. I hate to spend time watching appalling crimes in the news media . Lately one of the most commons is that of beat up women, poor human beings that has to endure a very hell in earth, trapped in the intimacy of a relationship that went very wrong. But cinema is art and in my opinion, Jean-Paul Lilienfeld, the director and the script writer of the film, was very skillful in the way that he presented the flashback scenes, those that show us the awful violence that the character of Sophie Marceau must suffer. If he would used a more graphical approach, the emotional charge of the viewer would be impossible to bear and the taste of the entire film would be put in doubt. But the technical approach was impeccable, and the spectator empathizes with the protagonist without loosing her/his mind and the attention to the plot. And of course, kudos for the leading ladies. Sophie Marceau, the guilty one, and also the victim, was right in the money all the time. A great piece of acting in a long and solid career beginning at the age of thirteen in the successful film La Boum. And Miou-Miou, another wonderful trouper of the French cinema with 89 titles under her belt, was a perfect unmovable object for the irresistible force of the stubborn Sophie Marceau. It's a clash of two strongly determined women, that in the end, learn to respect each other. In conclusion, an stirring story of a very much mistreated woman, seeking to put an end to her suffering that it has not ceased with the death of her nasty husband, and of a very cynical and weary police officer that learned something about herself in the process.


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