A prequel set before the haunting of the Lambert family that reveals how gifted psychic Elise Rainier reluctantly agrees to use her ability to contact the dead in order to help a teenage girl who has been targeted by a dangerous supernatural entity.
The senior partner of an investment brokerage, Jeffrey Desange, has a breakdown due to a financial collapse and kills several co-workers and his estranged wife. He then kidnaps his two young daughters, Victoria 3 and Lilly just 1. He drives his car recklessly through a winding snow covered road. He loses control of his car and drives off an embankment. He finds an abandoned and isolated cabin where he plans to kill his daughters, but the children are saved by a dark ghostly image. After five years of searching and depleting his savings, Jeffrey's twin brother, Lucas, finds the children that were raised without social interaction and claim that they have been raised by 'Mama'. Lucas disputes the custody with the children's Great Aunt but Dr. Dreyfuss, who is working with the girls, helps Lucas get custody of the girls so that he can still have access to them. Lucas, his girlfriend Annabel, Victoria and Lilly move into a house provided by the institute that Dr. Dreyfuss works for. Lucas... Written by
It would take four hours every day to get Javier Botet into his Mama make-up, and another two hours to remove it. See more »
In the cabin in the opening scene, the girls' position relative to each other switches between shots when the cherry seed is rolled to them. See more »
There is no rational explanation that supports this theory. But it is only the ability to embrace the different reality, that makes science expand beyond the limits of what we know. However, extraordinary claims require extraordinary proofs.
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I went into this film with high expectations. I am a horror movie junkie, despite their general lack of critical acclaim. They should be entertaining, even if they don't give you nightmares. After first viewing the trailer over the summer (rolling in for The Possession), I eagerly anticipated the January release. Seeing that Guillermo del Toro's name was attached to the project made me even more giddy. I saw it opening night.
I was not disappointed. Not in the slightest. In fact, I was happier with the movie than I intended to be. Believe me, that's saying something.
Not one scared by stories themselves, but solely by moments that utilize the element of surprise, I have never jumped out of my skin more times during a single film than I did for "Mama." That pretty much makes it the scariest movie that I have ever seen. However, seeing as different things scare different people, that is most likely not the same for everyone. If you aren't a jumper, don't worry, it's still very much worth it.
The story is not your typical ghost story. It has a terrific exposition to settle you into the film's focus. The situation is solitary enough that you won't yourself experience it, but isn't so far-fetched that it's unbelievable. The characters are both likable and flawed, which gives them dimension and makes them more interesting. And the girls are adorable, but not so cute that it detracts from the terror. As you can see, the film is very much balanced. A good film needs that balance.
As far as scares go, some are quite subtle. A few you don't particularly realize are happening until something changes, and you're caught off-guard. Seeing that the premise is supernatural, the idea of an elusive antagonist is key. You can't see too much of what you're supposed to be afraid of, and for the majority of the movie, you don't. The cloud of mystery surrounding Mama herself is hauntingly beautiful, and will both demonize and delight you. By the time you finish it, you will most likely feel both happy and sad, and will not know where your emotions should be.
I highly recommend "Mama" to anyone, because it is not your stereotypical horror movie. Its distinct lack of gore, and high level of well-crafted story, makes for an exciting experience for both horror lovers, and those who don't necessarily appreciate the genre. If you get the chance to watch it, take it immediately. If you aren't given the chance to watch it, make the chance yourself.
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