On a journey to find the cure for a Tatarigami's curse, Ashitaka finds himself in the middle of a war between the forest gods and Tatara, a mining colony. In this quest he also meets San, the Mononoke Hime.
Found inside a shining stalk of bamboo by an old bamboo cutter and his wife, a tiny girl grows rapidly into an exquisite young lady. The mysterious young princess enthralls all who encounter her - but ultimately she must confront her fate, the punishment for her crime.
Chloë Grace Moretz,
A high-school girl named Makoto acquires the power to travel back in time, and decides to use it for her own personal benefits. Little does she know that she is affecting the lives of others just as much as she is her own.
Told in three interconnected segments, we follow a young man named Takaki through his life as cruel winters, cold technology, and finally, adult obligations and responsibility converge to test the delicate petals of love.
Jiro dreams of flying and designing beautiful airplanes, inspired by the famous Italian aeronautical designer Caproni. Nearsighted from a young age and unable to be a pilot, Jiro joins a major Japanese engineering company in 1927 and becomes one of the world's most innovative and accomplished airplane designers. The film chronicles much of his life, depicting key historical events, including the Great Kanto Earthquake of 1923, the Great Depression, the tuberculosis epidemic and Japan's plunge into war. Jiro meets and falls in love with Nahoko, and grows and cherishes his friendship with his colleague Honjo. Written by
Miyazaki's swan song, most likely. It's an animated biopic of Jiro Horikoshi, a Japanese aircraft engineer who developed the Zero, the plane which would eventually bomb Pearl Harbor and do kamikaze attacks in WWII. The man himself was a pacifist (at least according to this film). Most of the film just deals with the man's love for flight, which obviously makes the story very dear to Miyazaki. In fact, a good portion of the film takes place in Horikoshi's dreams, where he can invent any crazy contraption. First and foremost, the film is gorgeous. Though it mostly deals with the real world, it finds the beauty in it. As good as the film is, it isn't one of Miyazaki's best. It's a little long-winded and slow (definitely don't take your kids to it, even if they're big Ghibli fans). Miyazaki kind of neuters the militaristic history of Japan at that time. You can feel some terrible stuff going on in the background, but, outside of the Germans, whom our hero visits at one point, all the characters whom we meet are perfectly nice people. I would have liked a more detailed picture of history at the time. Also, the romance that is depicted in the film, which is entirely invented, is a tad too maudlin (though it is quite nice up front). And, though I won't hold it against the film itself, the English language dub is awful. This may be due to the film's specific, Japanese setting, but I really felt the voice actors were just dull as Hell. I hate to say it, but Joseph Gordon-Levitt in the lead role is the worst. The least offensive performances come from Martin Short and Mae Whitman (the latter is a professional voice actress who is great on Avatar: The Last Airbender, though she is best known for her role as Michael Cera's dull girlfriend Ann on Arrested Development). I wish I had just seen the subtitled version instead (it was playing here, but at an inconvenient theater). I might like the film better seeing it subtitled. All those criticisms don't amount to too much, though. It's a wonderful film.
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