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Jackie (2016)

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Following the assassination of President John F. Kennedy, First Lady Jacqueline Kennedy fights through grief and trauma to regain her faith, console her children, and define her husband's historic legacy.

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Popularity
874 ( 32)
Nominated for 3 Oscars. Another 40 wins & 154 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Pam Turnure
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Maud Shaw
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Storyline

Jackie is a portrait of one of the most important and tragic moments in American history, seen through the eyes of the iconic First Lady, then Jacqueline Kennedy. Jackie places us in her world during the days immediately following her husband's assassination. Known for her extraordinary dignity and poise, here we see a portrait of the First Lady as she fights to establish her husband's legacy and the world of "Camelot" that she created and loved so well. Written by Fox Searchlight Pictures

Plot Summary | Plot Synopsis

Taglines:

I want them to see what they have done to Jack.


Motion Picture Rating (MPAA)

Rated R for brief strong violence and some language | See all certifications »

Parents Guide:

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Details

Country:

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Language:

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Release Date:

2 December 2016 (USA)  »

Also Known As:

Džeki  »

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Box Office

Budget:

$9,000,000 (estimated)

Opening Weekend USA:

$278,715, 2 December 2016, Limited Release

Gross USA:

$13,958,679, 14 April 2017

Cumulative Worldwide Gross:

$11,692,444, 27 January 2017
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Color:

| (some sequences)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Pablo Larraín also wanted to make sure the film accurately showed that it was Jacqueline Kennedy who first connected President John F. Kennedy's Administration with Camelot, the Kingdom ruled by King Arthur and his Knights of the Round Table, which was based on the highest of human principles. "I didn't really have a personal connection to the idea of Camelot until I explored more about it", said Larraín. "I went back and listened to the words of the musical. When I got it, I was very moved, and I thought it was brilliant that Jackie was the one who linked that legend with her husband." See more »

Goofs

Aboard Air Force One upon landing in Dallas, "Jackie" is looking into a mirror and putting on the pink pillbox hat as she recites a speech in Spanish. In reality, Jackie had already delivered that speech the previous evening in Houston when she and JFK made an appearance at a LULACS (League of United Latin American Citizens) gathering. See more »

Quotes

[first lines]
The Journalist: Mrs. Kennedy? They told me to come up. And I'm so sorry for your loss.
Jackie Kennedy: Have you read what they've been writing? Krock and Merriman and all the rest?
The Journalist: Yes, I have.
Jackie Kennedy: Merriman's such a bitter man. It's been just one week. Already they're treating him like some dusty old artifact to be shelved away. That's no way to be remembered.
The Journalist: And how would you like him remembered, Mrs. Kennedy?
Jackie Kennedy: [stammering] I...
Jackie Kennedy: You understand that I will be editing this conversation just in case I don't say exactly ...
[...]
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Connections

Featured in Breakfast: Episode dated 18 January 2017 (2017) See more »

Soundtracks

Affection No. 3
Composed by Paul Zaza (as Peter Dufferin)
Published by Parry Music
Courtesy of Latin Music Publishing, Inc.
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User Reviews

 
Overrated Oscar Bait
3 January 2017 | by See all my reviews

I've never taken the time to write a review for the site. But this movie... is just too overrated.

The struggle with this movie is based around the character. I am not totally familiar with the actual personality of Jackie Kennedy, but I walked out of the theater absolutely despising her. She acts as if she is in the toughest position in the world, and as if nobody has ever lost a family member before. Consistently, she displays a lack of understanding that others just lost someone they knew as well. I understand that we are supposed to feel compassion for her, but I just do not.

The film is a genuine trudge, with a cacophony of minor chords making up what could be called the "theme." The soundtrack is grating, and so is the rest of the movie. The only redeeming qualities of the movie is a very solid performance by Peter Saarsgard, and an appearance by John Hurt.

Portman's performance is genuinely overrated, with small flashes of quality and an overwhelming amount of "cry face".

Overall, just not worth the hype, and a trudge through 90 minutes that felt much longer.


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