The foolish servant Pulcinella is sent from the depths of Mt. Vesuvius to present-day Campania to honor the last wishes of the poor shepherd Tommaso: his mission is to save a young buffalo ... See full summary »
In A CIAMBRA, a small Romani community in Calabria, Pio Amato is desperate to grow up fast. At 14, he drinks, smokes and is one of the few to easily slide between the region's factions - ... See full summary »
Guido and Antonia are a young couple with opposing characters and working schedules: he works a night job as a doorman in a hotel, and she works as an employee for a rental car service. ... See full summary »
After many years working in the streets of Roma, the middle-age whore Mamma Roma (Anna Magnani) saves money to buy an upper class apartment, a fruit stand and retires from the prostitution.... See full summary »
Pier Paolo Pasolini
The fates of an apparently random group of strangers who each come into contact with a mysterious figure who they believe possesses the power to grant any wish, in return for which they must carry out a task he assigns them.
A story set in the 90s and in the outskirts of Rome to Ostia, the same places of the films of Pasolini. His characters, in the '90s, seem to belong to a world that revolves around hedonism.... See full summary »
The aging, conservative population of a small, sleepy village in the Italian Alps are surprised to see that a former French professor has settled there with his young wife and their three ... See full summary »
Anna, mother of three, has lived for forty years in her corner of hell. She was an impertinent and unfortunate girl, but by now she has become a generous woman, perhaps far too tolerant. ... See full summary »
I went to see this film last night at the Melbourne International Film Festival. I must admit that the only reason I went was that the film is set in the city I was born and where I lived for the first two decades of my life. The story of Mary and Enzo was interesting and could have been very poignant. However, it was engulfed by a messy and incoherent collection of images from a bygone era which made no sense at all and added nothing to the story. It felt like a film student project where the student had been given full access to old footage and went for broke. It was obvious that the film attempted to recreate the poetic atmosphere of a Terence Davies production. In Davies's films all the component work harmoniously together. In this case, all the components fell apart and crushed loudly against the rocky beaches of the Genoese coastline. And sadly, the power of the story of Many and Enzo was weakened by the effort.
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