7.9/10
77,313
197 user 451 critic

Amour (2012)

Trailer
1:59 | Trailer

Watch Now

From $2.99 (SD) on Amazon Video

ON DISC
Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.

Director:

Writer:

(screenplay)
Reviews
Popularity
3,473 ( 570)
Won 1 Oscar. Another 77 wins & 103 nominations. See more awards »

Videos

Photos

Learn more

People who liked this also liked... 

Drama | Mystery
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

Strange events happen in a small village in the north of Germany during the years before World War I, which seem to be ritual punishment. Who is responsible?

Director: Michael Haneke
Stars: Christian Friedel, Ernst Jacobi, Leonie Benesch
Drama | Music | Romance
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

A young man romantically pursues his masochistic piano teacher.

Director: Michael Haneke
Stars: Isabelle Huppert, Annie Girardot, Benoît Magimel
Caché (2005)
Drama | Mystery | Thriller
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

A married couple is terrorized by a series of surveillance videotapes left on their front porch.

Director: Michael Haneke
Stars: Daniel Auteuil, Juliette Binoche, Maurice Bénichou
Funny Games (1997)
Crime | Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

Two violent young men take a mother, father, and son hostage in their vacation cabin and force them to play sadistic "games" with one another for their own amusement.

Director: Michael Haneke
Stars: Susanne Lothar, Ulrich Mühe, Arno Frisch
Ida (2013)
Drama
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

Anna, a young novitiate nun in 1960s Poland, is on the verge of taking her vows when she discovers a dark family secret dating back to the years of the German occupation.

Director: Pawel Pawlikowski
Stars: Agata Kulesza, Agata Trzebuchowska, Dawid Ogrodnik
Crime | Drama | Musical
    1 2 3 4 5 6 7 8 9 10 8/10 X  

An east European girl goes to America with her young son, expecting it to be like a Hollywood film.

Director: Lars von Trier
Stars: Björk, Catherine Deneuve, David Morse
Funny Games (2007)
Crime | Drama | Horror
    1 2 3 4 5 6 7 8 9 10 6.5/10 X  

Two psychopathic young men take a family hostage in their cabin.

Director: Michael Haneke
Stars: Naomi Watts, Tim Roth, Michael Pitt
Drama
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

A woman assists her friend in arranging an illegal abortion in 1980s Romania.

Director: Cristian Mungiu
Stars: Anamaria Marinca, Vlad Ivanov, Laura Vasiliu
Melancholia (2011)
Drama
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

Two sisters find their already strained relationship challenged as a mysterious new planet threatens to collide with Earth.

Director: Lars von Trier
Stars: Kirsten Dunst, Charlotte Gainsbourg, Kiefer Sutherland
Edit

Cast

Complete credited cast:
...
...
...
Eva
Alexandre Tharaud ...
Alexandre
...
Geoff
Ramón Agirre ...
Concierge's Husband
Rita Blanco ...
Concierge
Carole Franck ...
Nurse #1
Dinara Drukarova ...
Nurse #2 (as Dinara Droukarova)
...
Police Officer #1
Jean-Michel Monroc ...
Police Officer #2
...
Neighbour
Damien Jouillerot ...
Paramedic #1
Walid Afkir ...
Paramedic #2
Edit

Storyline

Georges and Anne are a couple of retired music teachers enjoying life in their eighties. However, Anne suddenly has a stroke at breakfast and their lives are never the same. That incident begins Anne's harrowingly steep physical and mental decline as Georges attempts to care for her at home as she wishes. Even as the fruits of their lives and career remain bright, the couple's hopes for some dignity prove a dispiriting struggle even as their daughter enters the conflict. In the end, George, with his love fighting against his own weariness and diminished future on top of Anne's, is driven to make some critical decisions for them both. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic material including a disturbing act, and for brief language | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

| |

Language:

|

Release Date:

20 September 2012 (Germany)  »

Also Known As:

Amour  »

Filming Locations:

 »

Box Office

Budget:

$8,900,000 (estimated)

Opening Weekend:

€214,179 (France) (28 October 2012)

Gross:

$6,739,492 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
Edit

Did You Know?

Trivia

Marion Cotillard and Emmanuelle Riva are the only actors to win both a BAFTA and a César award for the same performance. Cotillard won both awards in 2008 for La Vie en Rose (2007) and Riva won in 2013 for "Amour". See more »

Goofs

When Georges and Anne are eating together he first cuts her food for her with a Laguiole knife. Later on he is holding a classic knife with a round point. See more »

Quotes

Anne: What would you say if no one came to your funeral?
Georges: Nothing, presumably.
See more »

Connections

Featured in What Is Cinema? (2013) See more »

Soundtracks

Impromptu opus 90 - no3
Franz Schubert
Interprétés au piano par Alexandre Tharaud
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
A sensitive and honest depiction of a profound and devastating love story
23 July 2012 | by (Australia) – See all my reviews

In 'Amour', we delve into the deepest, and most profound type of love seldom explored on screen, examined to it's uncompromising end. It is one of the most moving displays of love, in recent memory. That the couple at the heart of this film are 80-plus year old, bourgeois, retired French-speaking music teachers is surprising. That their story speaks to so many audiences worldwide regardless of their age and culture should not be, it simply reflects the universal emotions at the core of this film told with great honesty and sensitivity.

Ironically, as the title suggests, this is (not) another love story. In his most classical and refined film yet, Austrian master Haneke has once again asks questions of the audience in his own subversive, clinical, uncomfortable methods, yet (in what many see as a departure) with profoundly moving results. Some of the signature Haneke 'shocks' still remain, but this time they also carry devastating emotional weight.

Paradoxically the emotional force of the film comes from Haneke's characteristic clinical style of filmmaking: static shots, framed in mid to long distance, no score, economical and direct screenplay, however assisted by an always crisp sound design, sharp lighting and cinematography courtesy of Darius Khondji (Midnight in Paris), and naturalistic and honest performances. This time however, the approach feels gentler and respectful without the standard disdain and nihilism one expects from Haneke.

Yet there remains a palpable sense of the unknown and danger as film progresses (ironically almost exclusively in their spacious and comfortable apartment) ratcheting up a claustrophobic sense of fear. The film also spends it's time almost solely on the two leads, the emotional weight they carry and the connection to the audience evidenced by genuine laughter, gasps and tears (laughter or sorrow I won't disclose) was incredibly moving for two (real-life) octogenarians that few would admit, they have more in common than they would believe.

I've not said much about the film's story - an elderly French couple live in a Parisian apartment until an unexpected event causes them to reevaluate their life - it is simple in it's construction and execution, and the emotional peaks are best experienced by yourself with a friend or family member and a receptive audience. I watched this at the Sydney Film Festival in June, about a month after it's premiere in Cannes in May for which it deservedly won with enthusiastic reception. The theatre was comparatively (and undeservedly) under attended, yet the reception was attentively silent, collectively moved.

Following the visceral and subversive Caché and the more refined and sprawling White Ribbon, it appeared that Haneke had reached a creative zenith. Almost inevitably however, and especially given with the subject matter, he has restrained his somewhat acerbic style and delivered a film that is superlatively honest and sincere in all it's creative aspects. He has given an honest appraisal of a tender human relationship that should move even the most dispassionate viewer by the often unflinching humanity displayed on screen. One of the greatest and profound achievements seen on screen in many years, this is film at it's purest and most powerful form.


122 of 164 people found this review helpful.  Was this review helpful to you?

Contribute to This Page

Create a character page for:
?