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Abduction (2011)

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A thriller centered on a young man who sets out to uncover the truth about his life after finding his baby photo on a missing persons website.

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3,451 ( 537)
2 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jake Andolina ...
Oriah Acima Andrews ...
Riah
...
...
Mara
Steve Blass ...
Game Announcer
Derek Burnell ...
Hot Dog Vendor
...
Driver (as Ben Cain)
Holly Scott Cavanaugh ...
Mrs. Murphy
...
...
Mike Clark ...
News Reporter
...
...
Short Sleeves
...
Nurse
...
Red Flannel
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Storyline

High school seniors Nathan and Karen find a website with photos of children who are missing or believed abducted. One of the photos is of Nathan as a child, putting into question the identities of the couple whom he's always called Mom and Dad. Contacting the site to learn more only results in Nathan becoming the target of an intense, high-tech, international manhunt. Before his "parents" can explain themselves, they are executed by hired guns, and Nathan is on the run with Karen in tow (who just happened to be there at the wrong time). Phone use by either of them only connects directly to a man claiming to be C.I.A., in whom they find reasons not to trust. With encroaching shootouts, car chases, hand-to-hand combat and explosions around them, this seems quite much for a mere case of child abduction, and Nathan can only rely on the wrestling, boxing and martial arts skills taught by his "dad" to protect both himself and Karen as they follow a lead to find Martin, Nathan's biological ... Written by statmanjeff

Plot Summary | Plot Synopsis

Taglines:

What if your entire life was a lie? See more »


Motion Picture Rating (MPAA)

Rated PG-13 for sequences of intense violence and action, brief language, some sexual content and teen partying | See all certifications »

Parents Guide:

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Details

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Release Date:

23 September 2011 (USA)  »

Also Known As:

Погоня  »

Filming Locations:

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Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend:

$10,925,253 (USA) (23 September 2011)

Gross:

$28,064,226 (USA) (9 December 2011)
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Company Credits

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Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In the hospital scene when Nathan dials 911, he gives his address as 2009 Clearwater Drive. This is a reference to The Twilight Saga, which Taylor Lautner (Nathan) stars in; 2009 being the year that The Twilight Saga: New Moon was released in theaters and Clearwater being the surname of characters Harry, Seth and Leah who appear in the films. See more »

Goofs

Nathan tells the 911 operator that he is at Vassar Brothers Hospital. There is a real VBH but it is in Poughkeepsie, New York, not Pittsburgh. See more »

Quotes

[first lines]
Nathan: [screaming] Whoo-hoo-hoo-hoo-hoo-hoo-hoo! Whoo! Yeah, baby! Yeah, Gilly, get out here!
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Soundtracks

Novocaine Lips
Written by Matthew Bair and Ronald Jackson
Performed by Matthew Koma
Courtesy of Interscope Records
Under license from Universal Music Enterprises
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Frequently Asked Questions

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User Reviews

 
Just refuses to admit it's a B-movie.
23 September 2011 | by (Sydney, Australia) – See all my reviews

Let me open with what any film review should address: I did not enjoy this movie. But first, a disclaimer: despite my reasons, I want to assure you that none of my negative points will verbally lambast lead actor Taylor Lautner just because 'he's some guy from Twilight.' Nor will I make scalding reference to his gratuitous lack of upper body wear; the kind that one would hope comes off as witty commentary but ends up sounding more like an awkward combination of contempt and jealousy. So, with that out of the way, let's get started.

When the shy but short-tempered Nathan (Lautner) is paired up with girl next door Karen (Lily Collins) for a school research assignment, he is shocked to find an image of his younger self on a 'missing persons' website, prompting him to question everything he thought was normal about his life. When the cover is blown, he and Karen find themselves on the run, unable to trust anyone in their search for the truth.

Not only will I not target any more of this review towards Lautner personally, I will even concede that he does his best on what is otherwise a sinking ship from the opening scene. Naturally, his acting skills do need refinement, and I expect we're not looking at the next De Niro here, but his occasionally lackluster delivery is simply a branch of a much bigger problem- the script.

As an unapologetic actioner, it should be expected that Abduction possesses some of the clunky dialogue clichés associated with the genre. These include, but are not limited to 'trust has to be earned', 'I'm not leaving without her' and perennial favourite 'wait…how do you know my name?', which is actually used more than once. But among these tired expressions is a handful of headscratchers; lines intended to act as cool quips but possessing an undoubtedly cringe-worthy aftertaste. For example, after Gerry (Sigourney Weaver) helps Nathan escape using balloons to cover security cameras (a la Ocean's Eleven) she releases them with the deadpan, utterly serious line of 'I hate balloons'. So you see my point.

The set pieces are just as ludicrous, asking the viewer to buy into the movie too much when we have not been given any reason to engage with the plot in the first place. In one instance, we bear witness to a CIA agent (operating undercover as a suburban housewife) easily take out two trained assassins. The climax set at a baseball game is a storytelling train wreck, fraught with inconsistencies and overly convenient outcomes. At the very least, I hoped a film set in Pittsburgh would show some love for the mighty Steelers instead of the lowly Pirates, but I digress.

General flaws in logic and realism are other aspects that can be attributed to this type of movie without having them become a major concern. Often, we tend to overlook moments which would result in serious injury for the hero in real life simply because he's just that, a hero. I'm also willing to pass these moments off, but in Abduction they occur so often, and on such a noticeable scale that they severely detract from any engagement with the film that could be developed as it progresses, and therein lies its greatest letdown.

I commend the satisfactory action scenes, which minimised the kind of close-up, rapid camera movement that has drawn the bulk of my ire in recent months. Also, I was pleased to see the film show a bit of gumption by avoiding an entirely happy, alls-well-that-ends-well conclusion, but these upsides are not enough to sweeten what is otherwise an inherently flawed film.

*There's nothing I love more than a bit of feedback, good or bad. So drop me a line on jnatsis@iprimus.com.au and let me know what you thought of my review.*


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