The story of King George VI of the United Kingdom of Great Britain and Northern Ireland, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.
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England's Prince Albert must ascend the throne as King George VI, but he has a speech impediment. Knowing that the country needs her husband to be able to communicate effectively, Elizabeth hires Lionel Logue, an Australian actor and speech therapist, to help him overcome his stammer. An extraordinary friendship develops between the two men, as Logue uses unconventional means to teach the monarch how to speak with confidence. Written by
According to EMI recording engineer Peter Cobbin, the original royal microphones had been in the EMI archives for over 70 years. The EMI Archive Trust granted permission for five of them to be loaned to Abbey Road Studios. Three were restored to good working condition and used for recording the film's orchestral score. The microphones, designed for His Majesty King George V, HM King George VI, Her Majesty Queen Mary, and HM Queen Elizabeth (Queen Elizabeth the Queen Mother), were adorned with silver and chrome details bearing royal coats of arms and other individual insignia. They were state-of-the-art in the 1930s, and excellent even compared to much modern equipment. Composer Alexandre Desplat and director Tom Hooper were both pleased with the result, and felt that the slight coloring of the sound caused by the older equipment gave the recordings an authentic "patina" of the time period. See more »
The scenes at Balmoral take place in winter. In real life King Edward VIII was there in August and September 1936; he'd abdicated by mid-December. See more »
1925 / King George V reigns over a quarter of the world's people. He asks his second son, the Duke of York, to give the closing speech at the Empire Exhibition in Wembley, London.
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I think I must have seen a different film from the previous two reviewers at Leeds on Friday. It is now two days ago and I am still feeling overwhelmed by what I saw. It is a very touching, and quite inspiring story about a man, psychologically scarred, and trapped in a situation from which he could have no escape and facing it with immense courage. It so happens that he was royal, and that was a large part of his problem- but the film isn't so much about royalty as a human story. The film conveyed very powerfully in the opening scene, the enormity of what was required of him. As the film develops, the complexities of the character are revealed. The acting is superb, especially from the three principals, and the development of the troubled and sparky relationship at the heart of the film is a joy to watch. The film is very funny and the characters have warmth and humanity. The film is well paced, and carries you along to the emotional climax, so that, even though I knew the story, it had me holding my breath. If you don't need lots of action or special effects in your film, and enjoy seeing top-notch actors at the very peak of their craft, this will be for you. You might also, as I did, gain a bit more insight into the human drama behind a significant, but relatively unexplored period of British history.
If CF and GR both win Oscars they will be more than worthy winners and if they don't then "best" has no meaning.
One further thought- anyone who thinks that this film is unsuitable for teenage viewers needs to have a long hard look at their priorities. It could prove inspirational to anyone with communication difficulties.
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