Selene, a beautiful warrior, is entrenched in a war between the vampire and werewolf races. Although she is aligned with the vampires, she falls in love with Michael, a human who is sought by werewolves for unknown reasons.
Alice awakes in Raccoon City, only to find it has become infested with zombies and monsters. With the help of Jill Valentine and Carlos Olivera, Alice must find a way out of the city before it is destroyed by a nuclear missile.
While still out to destroy the evil Umbrella Corporation, Alice joins a group of survivors living in a prison surrounded by the infected who also want to relocate to the mysterious but supposedly unharmed safe haven known only as Arcadia.
Paul W.S. Anderson
Mankind discover the existence of the Vampire and Lycan species and they begin a war to annihilate the races. When Selene meets with Michael in the harbor, they are hit by a grenade and Selene passes out. Twelve years later, Selene awakes from a cryogenic sleep in the Antigen laboratory and meets the Vampire David. She learns that she had been the subject of the scientist Dr. Jacob Lane and the Vampire and Lycan species have been practically eradicated from Earth. But Selene is still connected to Michael and has visions that she believes that belongs to Michael's sight. However she has a surprise and finds that she has a powerful daughter named Eve that has been raised in the laboratory. Now Selene and David have to protect Eve against the Lycans that intend to use her to inoculate their species against silver. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Supporting cast members Adam Reid and Christian Tessier are both alumni of You Can't Do That on Television. See more »
In the elevator scene with Selene and C4, she is seen planting the charges on the side of the elevator column against/with the doors. When the doors open, the charges are seen planted on the back opposite inside of the elevator cart. See more »
The Vampire and Lycans clan have been at war for centuries before I was born, their endless conflict hidden from the human world. I was turned by a Vampire. And given the strength to avenge my family against the Lycans. And I was good at it. Then I found Michael Corvin, a human that was neither turned by Vampire nor Lycan, but a hybrid of the two. And everything changed. Allies turned enemies, and Vampire elders I had protected for now six centuries now wanted me dead. We ...
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For those who came in late, the Underworld series is all about the eternal enmity between the non-human species of Vampires and Lycans, the latter being an evolved race of werewolves. So far, we learned all about the centuries of bloodshed, and the absolute necessity for the 2 groups never to reconcile.
At the heart of the narrative is Selene (Kate Beckinsale), who was once the pride and joy of the Vampire army, till she fell in love with a hybrid (part vampire part Lycan), and began to question the ethics of her tribe.
Underworld: Awakening begins with a new development in the world that Selene and Michael inhabit. Thus far, the inferior human species has remained unaware of the existence of the other species. Now that covens and nests have been unearthed, paranoia strikes, and annihilation of non-humans becomes military priority.
Selene and Michael try to leave the area by boat, but both are captured and frozen in a lab, for research. When Selene awakens, she manages to flee from her prison, only to find that it is now 12 years later. Lycans are almost extinct, there is a weapon that she has, and her enemies want it for their evil purpose.
This installment of the Underworld franchise has the flimsiest plot, the least talented actors (except, of course, for Stephen Rea), and the most unsatisfactory climax. In fact, this has to be the first movie of the series that leaves loyalists not clamoring for more. The premise is so incredulous (and not in a good way), that you will stop trying to comprehend the sequence of events that leads Selene to the end of the movie.
To make up for the lack of a credible story, the makers decided to intersperse every second conversation with visuals of ripped heads, severed body parts and plenty of blood. The gore in the movie is not only irrelevant, but also added for shock value, or so it seems.
The icing on the cake is the presence of constantly flickering lights. The lab has them, the parking lots have them, the corridors have them - the civilized world does not seem to believe in proper lighting. What the audience is left with is a semi-hypnotized sense of being after sitting through all those lights.
Kate Beckinsale goes through all the motions of being Selene with the ease of a professional. She has done this to perfection before, but this time, she seems complacent, and bored. To give her credit, she has maintained her figure, and looks no different than the Selene who first made an appearance almost a decade ago (in the first movie of the series).
The very talented Stephen Rea plays a villain of sorts in the movie. He does look confused at times, as if he wonders why he signed the film. There is no sign of effort from any other member of the cast.
The music is more like stock music, and production value is inconsequential (there's nothing in the film except walls and piers). The fight sequences are not engrossing enough, and the spurting blood and flying intestines are distracting.
In short, the entire movie is a disappointment. If, however, you insist on watching Underworld: Awakening, avoid the 3D version, and maybe your headache will not be as bad.
On a more positive note, there is always the hope that the next movie will manage to regain the lost glory of the series.
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