With his fingerprints on the gun that killed Zoe, Luther is a prime suspect and goes on the run. Only his sergeant, Justin Ripley, believes he is innocent. Luther hides out with Alice who, along with...
Luther and the team are after the people involved in a violent kidnapping of Jessisca and they are in search of diamonds... Meanwhile Luther is framed for murder of his ex-wife Zoe and is now on the ...
A seemingly cold but very passionate policewoman goes head to head with a seemingly passionate father who is in fact a cold serialist in this procedural out of Belfast. The only thing they share is their common complexity.
Marcella Backland left the Metropolitan Police for the sake of her family, only to have her husband leave her. She returns to her job on the murder squad, investigating a case that seems disturbingly familiar to her.
All three seasons end with the same line of dialogue: "Now what?" See more »
DSU Martin Schenk:
I know men like you the way you know men like me, and I know you wouldn't have done this if you believed there was the least chance of it coming back on you. Well, guess what: it's come back on you like the Hand of God, and the next words from your mouth will determine the weight and velocity of the staggering tonnage of shit that's about to plummet onto your head.
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Bias, it's a terrible thing I know but I have to admit I AM biased,biased against police drama's, for me they signify the apathy and mediocrity at the heart of British and American television.
However, occasionally along comes a series that sits so far above the grey landscape of indifference that it blinds by the light of it's creativity, one such show is the British drama 'Luther'. The show's direction takes the viewer helter skelter into the very heart and soul of John Luther, a dedicated senior police officer in a constant struggle to retain his moral compass because he dares to use questionable methods to ensure justice for victims of the most brutal crimes within a labyrinthine bureaucracy of a legal system whose very existence seems intent in ensuring the path towards a successful arrest and conviction is as difficult as possible.
Idris Elba is excellent at portraying this wrought, fallible but noble detective John Luther, which reflects once again how far Elba's acting range can reach post The Wire. The audio track is charged, insightful and electric, employing talents such as Emiliana Torrini and her track 'Gun'.
One of the more interesting back stories is the role of Alice Morgan, a young multiple murderess (played brilliantly by Ruth Wilson) who gives Luther chilling insight into the minds of his suspects while challenging him on sexual, intellectual and moral levels, intent on drawing him further inwards to the heart of her passion, John can see this, it both frightens and attracts him leaving the audience on a constant cliff-edge awaiting his fate. 'Luther' reminds me of 'the number 23' and how obsession can destroy and destroy utterly taking everything and everyone with it.
A triple A show among E-average competition.
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