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Lovelace (2013)

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The story of Linda Lovelace, who is used and abused by the porn industry at the behest of her coercive husband, before taking control of her life.

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2,872 ( 145)
1 win & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
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John Boreman
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Anthony Romano
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Gerry Damiano
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Feminist Journalist
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Dolly
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Nat Laurendi
Ron Pritchard ...
Sammy Davis Jr. (as Ronald Pritchard)
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Storyline

The story of Linda Lovelace, who is used and abused by the porn industry at the behest of her coercive husband, before taking control of her life.

Plot Summary | Plot Synopsis

Taglines:

The truth goes deeper than you think. See more »

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated R for strong sexual content, nudity, language, drug use and some domestic violence | See all certifications »

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Details

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Release Date:

8 August 2013 (Croatia)  »

Also Known As:

Gili gerkle  »

Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend:

$184,536 (USA) (11 August 2013)

Gross:

$356,582 (USA)
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Company Credits

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Technical Specs

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Demi Moore was supposed to appear in a cameo as Gloria Steinem but dropped out due to health issues. Mary-Louise Parker was considered as a replacement, but Sarah Jessica Parker was cast. Parker accepted the role a week before filming ended, but her scenes did not make the final cut. See more »

Goofs

During one party scene set in 1970, Elvin Bishop's "Fooled Around And Fell In Love" plays on the radio. The song was released in 1976. See more »

Quotes

Chuck: [to Anthony Romano] This isn't small-time. I'm meeting this guy at Hef's party, OK? This guy, he owns half the adult bookstores on the West Coast. Millions in merchandise. Linda, like, sweet talks this guy, right? Or better yet, she sweet sucks this guy... we're made in the shade!
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Connections

References To Find a Man (1972) See more »

Soundtracks

Panhandle Stomp
Written by Johnny Schnell
Published by Engine Co 30 Music Publishing (BMI)
Courtesy of 5 Alarm Music
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User Reviews

Biopic Sympathetic to its Subject
2 September 2013 | by (Quezon City, Philippines) – See all my reviews

It is quite surprising that sweet and wholesome Amanda Seyfried has been cast as legendary 70s porno star Linda Lovelace. Seyfried, whom we know better as ingénues in musical films like "Mamma Mia" and "Les Miserables," how could she pull this daring stunt off?

"Lovelace" tells of how young and pretty Linda Boreman, from a strict Catholic family, unlikely met and married a sleazy guy named Chuck Traynor.

First, she goes along with Chuck's wild idea to make a her a porn actress, exploiting a certain extraordinary talent of hers which would be the central theme of a little porn flick entitled "Deep Throat." She actually enjoyed the heady success of this stardom as Linda Lovelace, for a while at least.

In a sudden change of pace, the second half of the movie showed how Linda was abused by her husband, physically, mentally, sexually, financially. She quietly suffered this torture until she could not take it anymore and fights to get her old life back.

The acting of Ms. Seyfried was quite good, as she was able to convince us that she was Linda despite being cast against type. She will get us on her side before the film ends. People who watch this film expecting her to reveal more skin will be disappointed, as this Linda kept it pretty clean on screen. The image painted of Linda was actually very sympathetic as well, like it was all Chuck's fault. Ms. Seyfried played the perfect naive victim.

Peter Sarsgaard was effectively creepy as Chuck from the start. You really cannot understand how Linda would marry a guy like this. He could have portrayed being more charming in the beginning to convince us. But he looked like a creep even in that scene where he first met with Linda's parents (portrayed by Robert Patrick and a completely unrecognizable Sharon Stone.)

I think the main problem of the film was in its story telling. There was a very abrupt and stark transformation from happy Linda in Act 1 and sad Linda in Act 2. I think the director was trying to be stylistic about this, not telling these details linearly, instead going back and forth in time. I think this could have been told more effectively another way.


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