When four lifelong friends travel to New Orleans for the annual Essence Festival, sisterhoods are rekindled, wild sides are rediscovered, and there's enough dancing, drinking, brawling, and romancing to make the Big Easy blush.
Malcolm D. Lee
Jada Pinkett Smith
When their headquarters are destroyed and the world is held hostage, the Kingsman's journey leads them to the discovery of an allied spy organization in the US. These two elite secret organizations must band together to defeat a common enemy.
As Carl Black gets the opportunity to move his family out of Chicago in hope of a better life, their arrival in Beverly Hills is timed with that city's annual purge, where all crime is legal for twelve hours.
In the Town of Derry, the local kids are disappearing one by one, leaving behind bloody remains. In a place known as 'The Barrens', a group of seven kids are united by their horrifying and strange encounters with an evil clown and their determination to kill It. Written by
Though CGI was used in some scenes, Bill Skarsgård was actually able to move his eyes in different directions in some scenes at the behest of Andy Muschietti. At first, it was uncertain if he was able to achieve this effect on his own, yet Skarsgård assures, "I can do that." The purpose of this was to add to an already unsettling and disturbing look to Pennywise. See more »
The TV shown in the background in the Denborough house is actually a Toshiba TV from the early 2000's. Also - the VCR (RCA) that is on top of the TV in the Kaspbrak house is from the late 90s/early 2000's. See more »
The Warner Bros./New Line Cinema logos are darker than usual, have an eerie glow around them, until it starts storming around them, with a red balloon floating beside the NLC logo. And the Ratpac logo takes place on a cloudy and raining background. See more »
So I went and saw IT, and came back unimpressed. I mean it was a good movie, no doubt about that. A bunch of kids, outcasts in their own right, being terrorized by an ancient demon that plays upon the fears of its victims is pretty much the standard in Hollywood horror movie territory. All the kids are well cast, the script is funny and tight, and there are plenty of monster shots. The cinematography is great, the pace is even and the CGI is flawless. But is more funny than terrifying- it's R rating more a justification of teenage slang in the script, rather than for true scares.
But that is what typically Stephen King is all about. His stories are studies on relationships rather than all out horror. In IT, King reversed Spielberg's E.T, and explored everyday monsters of childhood- abuse, violence and neglect. Juxtapose that with an eternal evil shape-shifting entity who wakes up every 27 years to prey, and you have a shawarma of a plot. The book is scary, the movie isn't. Probably so because today, we are used to Stranger Things.
We are used to kids doing stupendous stuff these days- whether running billion dollar companies, or bringing back lost souls from other dimensions. It all seems very easy for today's generation to figure things out- most of IT establishes this narrative. A wonderful group of actors face off against Bill Skarsgard's Pennywise the Dancing Clown, and they all nail their parts. The movie takes place in a town where all the adults are essentially villains- so its not just the kids versus the clowns everyone else. But for sheer impact, IT never reaches the highs it achieves in its first sequence.
It is a great example of how strong marketing can make mediocre movies look a billion bucks. Other reviewers are putting IT right up there with other Stephen King adaptions such as The Shining and The Thing. Oh please, that would be laying it too thick. Director Andy Muschietti's earlier take on the genre- Mama, is a far better contender.
No good horror movie can get away by being light on scares, however good the characters and the script are. So look at IT as an extension of Goonies or Stranger Things, a PG-13 romp, not an iconic horror movie. 7/10
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