In the dysfunctional Italian middle-class family Ristuccia, the middle-aged executive Carlo has a stalled life without passion, bored in his work and having a monotonous life with his wife ... See full summary »
In Paris, after winning the lottery, the clerk François goes to a bar in Pigalle and offers one hundred thousand Euros per month to the prostitute Daniela to live with him until the end of ... See full summary »
Roberto is a young and ambitious lawyer who is going to marry Sara. His whole life is perfectly planned out. During a expropriation which he is in charge of, he meets Micol, a gorgeous and ... See full summary »
Robert De Niro,
Zef's dear wife dies in an accident just as Roni, his wealthy brother, marries his daughter. When the widower arrives with the coffin containing his wife's body right in the middle of the ... See full summary »
Kurdish-Iranian poet Sahel has just been released from a thirty-year prison sentence in Iran. Now the one thing keeping him going is the thought of finding his wife, who thinks him dead for over twenty years.
In the ghettos of the greatest metropolis in Brazil, a midst flying bullets, love and any number of hurdles, young people's stories mingle and collide in the search for dreams and choices. ... See full summary »
Fernando Grostein Andrade,
Jean Luis Amorim,
A Real Fiesta for the Italian moviegoers, but not Giordana's best
For people who were already moviegoers during WW2, this movie is a gem, because it is impossible to forget the extraordinary performances given by Osvaldo Valenti during his brief career. I well remember one of his deliveries in LA CENA DELLE BEFFE (1), perhaps his best movie. It is understandable that Tullio Giordana nourished his project for more than 25 years, and it is impossible not to be touched by Luigi Zingaretti's interpretation of Richard III.("A kingdom for a horse!") It is a long movie (2 1/2 hours) and at least the first half is excellent, because of the description of the atmosphere during the unfortunate war fought by Mussolini "to please his master". It is a pity that Monica Bellucci doesn't meet the expectations, especially when one remembers the high number of "divas" from Cinecittà who entertained us in the Forties. With American movies gone, and French movies scarce, the "white telephones" from the Italian comedies were a good replacement, and the "whale movies" like CORONA DI FERRO (Blasetti)were very impressive.Unfortunately,after the first half, SANGUE PAZZO doesn't keep its pace. As stressed up by another comment , almost all the climaxes are cut short by flashbacks, to the point of confusion, if not frustration. However, the beginning and the end - a couple of youngsters taking possession of one of the devilish couple's movies -is an excellent idea. Marco Tullio Giordana is better with TV series than historic movies, but I am hardly waiting for his next production.Harry Carasso, Paris, France (1) "In the water, there was a small red fish who was staring, staring, like a tear of blood...").
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