| Photos (see all 26 | slideshow) | Videos (see all 15 videos) |
| Jonathan Tucker | ... | Jeff McIntire | |
| Jena Malone | ... | Amy | |
| Laura Ramsey | ... | Stacy | |
| Shawn Ashmore | ... | Eric | |
| Joe Anderson | ... | Mathias | |
| Sergio Calderón | ... | Lead Mayan | |
| Jesse Ramirez | ... | Mayan Bowman | |
| Balder Moreno | ... | Mayan Horseman | |
| Dimitri Baveas | ... | Dimitri | |
| Patricio Almeida Rodriguez | ... | Taxi Driver | |
| Mario Jurado | ... | Mayan Archer | |
| Luis Antonio Ramos | ... | Mayan Rifleman #1 (as Luis Ramos) | |
| Walter Quispe | ... | Mayan Rifleman #2 | |
| Pauline Whyman | ... | Wailing Woman | |
| Nathan Vega | ... | Mayan Boy | |
| Tanisha Marquez-Munduate | ... | Mayan Girl | |
| Chris Argirousis | ... | Greek #1 | |
| Alexander Gregory | ... | Greek #2 | |
| Michelle Atkinson | ... | Archeologist #1 | |
| Bar Paly | ... | Archeologist #2 | |
| Jordan Patrick Smith | ... | Heinrich | |
| Jovina Riveros Padilla | ... | Mayan Woman #1 | |
| Lucia Caballero | ... | Mayan Woman #2 | |
| Rufino Hernandez | ... | Mayan Guard #1 | |
| Carlos Enrique Delgado | ... | Mayan Guard #2 | |
| Mario Freire Rivera | ... | Mayan Guard #3 | |
| Elmer Alaya | ... | Mayan Guard #4 | |
| Jesus Tugumbango | ... | Mayan Guard #5 | |
| Robert Munns | ... | Groundskeeper | |
| Karen Strassman | ... | Additional Vine Vocal (voice) | |
| resto del cast in ordine alfabetico: | |||
| Michelle Atkinson | ... | Archeologist #1 | |
Regia di | |||
| Carter Smith | |||
Scritto da(WGA) | ||
| Scott B. Smith | (screenplay) | |
| Scott B. Smith | (novel) (as Scott Smith) | |
Prodotto da | |||
| Chris Bender | .... | producer | |
| Stuart Cornfeld | .... | producer | |
| Trish Hofmann | .... | executive producer | |
| Jeremy Kramer | .... | producer | |
| Ben Stiller | .... | producer | |
Musiche originali di | |||
| Graeme Revell | |||
Fotografia di | |||
| Darius Khondji | |||
Montaggio di | |||
| Jeff Betancourt | |||
Responsabile casting | |||
| Denise Chamian | |||
Scenografie di | |||
| Grant Major | |||
Architetto-scenografo | |||
| Brian Edmonds | (supervising art director) | ||
| John Wingrove | |||
Trucco | |||
| Paige Badenoch | .... | makeup artist | |
| René Dashiell Kerby | .... | makeup artist: reshoots | |
| Jake Garber | .... | special makeup effects artist: additional photography | |
| Christine Spiller | .... | hair & makeup: additional unit | |
| Shane Thomas | .... | makeup designer | |
| Debbie Zoller | .... | makeup department head: re-shoots | |
Direttore di produzione | |||
| Troy Clarke | .... | unit manager | |
| Karen Ruth Getchell | .... | production supervisor: additional photography | |
| Sharon Miller | .... | unit production manager | |
| Jake Rice | .... | post-production supervisor | |
| Paul Springer | .... | post-production manager | |
Aiuto regista | |||
| Jeff Betancourt | .... | second unit director | |
| Bish Bishop | .... | second second assistant director | |
| Jamie Crooks | .... | first assistant director | |
| Charles Mann | .... | third assistant director | |
Art Department | |||
| Bob Booker | .... | property master | |
| Timothy Burgard | .... | storyboard artist | |
| Graeme Callander | .... | storyboard artist | |
| Laura Elkington | .... | set dresser | |
| Trevor Goring | .... | storyboard artist | |
| Benton Jew | .... | illustrator | |
| Leigh Mackie | .... | conceptual illustrator | |
| Peter 'Babylon' Owens | .... | props | |
Sonoro | |||
| Kami Asgar | .... | sound editor | |
| Beau Borders | .... | sound re-recording mixer | |
| Paul 'Salty' Brincat | .... | sound mixer | |
| Dorian Cheah | .... | sound effects designer | |
| Michael Dressel | .... | foley editor | |
| Scott G.G. Haller | .... | dialogue editor | |
| John Marquis | .... | supervising sound editor | |
| Herwig Maurer | .... | sound effects editor | |
| Sean McCormack | .... | supervising sound editor | |
| Eric Nagy | .... | sound editor | |
| Erin Oakley | .... | adr supervisor | |
| Kevin O'Connell | .... | sound re-recording mixer | |
| Stacey Parish | .... | sound assistant | |
| Eryne Prine | .... | assistant sound editor | |
| Jacob Riehle | .... | first assistant sound editor | |
| Philip Rogers | .... | adr recordist | |
| D. Chris Smith | .... | sound effects editor | |
| Tim Tuchrello | .... | sound editor | |
Effetti speciali | |||
| Bruce Bright | .... | special effects coordinator | |
| David Fletcher | .... | special effects supervisor | |
| Dean Franklin | .... | special effects technician | |
| Allison Klein | .... | studio coordinator: Tatopoulos Studios | |
| Robert McKinnon | .... | conceptual artist: Tatopoulos Studios | |
| James Paul | .... | special effects technician | |
| Patrick Tatopoulos | .... | creature designer | |
| Rebecca Thiele | .... | special effects technician | |
Visual Effects | |||
| Beverly Abbott | .... | visual effects coordinator | |
| Dan Bethell | .... | research and development technical director: Rising Sun Pictures | |
| Jessica Braun | .... | lighting techical director | |
| David C. Bryant | .... | CGI supervisor: Pixel Playground | |
| Darren Byford | .... | lead lighting technical director | |
| Ben Campbell | .... | lighting technical director | |
| Tim Christensen | .... | digital compositor: Frantic Films | |
| Laurence Dodd | .... | lead previsualization artist | |
| Karin Eunson-Ross | .... | visual effects production manager: Frantic Films | |
| Anouchka Farrenc | .... | character animator: Rising Sun Pictures | |
| Mitchell Ferm | .... | visual effects producer | |
| William Gammon | .... | compositor: Rising Sun Picture | |
| William Gammon | .... | data wrangler: Rising Sun Picture | |
| Kyle Goodsell | .... | digital compositor (Rising Sun Pictures) | |
| Sam Hancock | .... | technical director | |
| Katie Hecker | .... | digital compositor | |
| Keith Herft | .... | sequence lead | |
| Sam Hodge | .... | lighting technical director: Rising Sun Pictures | |
| Malcolm Humphreys | .... | CG supervisor: Rising Sun Pictures | |
| Marco Iozzi | .... | lighting artist | |
| Dennis Jones | .... | digital compositor | |
| Jiwoon Kim | .... | digital compositor | |
| Daniel Kmet | .... | animator | |
| Carsten Kolve | .... | research & development: Rising Sun Pictures | |
| Ivan La Rosa | .... | effects rigging technical director: Rising Sun Pictures | |
| Don Lee | .... | visual effects supervisor: Pixel Playground | |
| Kim Lee | .... | visual effects producer: Pixel Playground | |
| Tyler Lee | .... | data wrangler | |
| Jarrod Linton | .... | digital effects artist | |
| Ken McGaugh | .... | visual effects supervisor: Rising Sun Pictures | |
| Gregory L. McMurry | .... | visual effects supervisor | |
| Luke Millar | .... | lead lighting technical director | |
| Norah Mulroney | .... | digital compositor: Rising Sun Pictures | |
| Ben Myers | .... | digital compositor | |
| Donal Nolan | .... | digital compositor | |
| Rob Nunn | .... | lead previsualization artist | |
| Premamurti Paetsch | .... | visual effects artist | |
| Nick Pitt-Owen | .... | visual effects artist | |
| Jonathan Reynolds | .... | digital artist | |
| Kurtis Richmond | .... | lead matte artist: FUEL International | |
| Mark Robben | .... | digital compositor: Pixel Playground | |
| Ben Roberts | .... | digital compositor: Rising Sun Pictures | |
| Johannes Saam | .... | research and development technical director: Rising Sun Pictures | |
| Randal Shore | .... | visual effects producer: Frantic Films | |
| Bobby Silman | .... | digital compositor: Frantic Films | |
| Christoph Sprenger | .... | research and development: Rising Sun Pictures | |
| Max Stummer | .... | digital compositor: Rising Sun Pictures | |
| Mark Tremble | .... | digital compositor | |
| Les Turner | .... | animator | |
| Ben Warner | .... | digital compositor: Rising Sun Pictures | |
| Jeremy West | .... | camera tracker | |
| James Whitlam | .... | visual effects executive producer: Rising Sun Pictures | |
| Gavin Wright | .... | previsualization artist: Proof | |
Controfigure | |||
| Lee Adamson | .... | stunt performer | |
| Lee Adamson | .... | stunt rigger | |
| Haydn Dalton | .... | stunt assistant | |
| Mitch Deans | .... | stunt coordinator | |
| Thomas Dewier | .... | utility stunts | |
| Steve Harman | .... | stunt rigger | |
Camera and Electrical Department | |||
| Simon Christidis | .... | underwater cinematographer | |
| David Elmes | .... | first assistant camera | |
| Mark Goellnicht | .... | steadicam operator | |
| Mark Jefferies | .... | best boy | |
| Cameron Murchison | .... | second assistant camera | |
| David Nichols | .... | key grip | |
| Bruce Olinder | .... | chief lighting technician: second unit | |
| Henry Richards | .... | lighting technician | |
| Vince Valituti | .... | still photographer | |
| Matthew Weston | .... | camera loader | |
| Jörg Widmer | .... | camera operator | |
| David Williamson | .... | camera operator | |
| Matt Windon | .... | first assistant camera: "b" camera | |
Casting Department | |||
| Angela Demo | .... | casting associate | |
| Ben Parkinson | .... | casting: Australia | |
| Ben Parkinson | .... | extras casting: Australia | |
Costume and Wardrobe Department | |||
| Adam Dalli | .... | extras costumes | |
| Alecia De Marco | .... | costume buyer | |
| Kerry Thompson | .... | costume supervisor | |
Editorial Department | |||
| John Peter Bernardo | .... | associate editor | |
| Gary Burritt | .... | negative cutter | |
| Beth Dewey | .... | digital intermediate producer | |
| Todd Fulkerson | .... | first assistant editor | |
| Leilani Gushiken | .... | post-production coordinator | |
| Mandy Jacobs | .... | first assistant editor | |
| Curtis Lindersmith | .... | digital intermediate editor | |
| Yvan Lucas | .... | colorist: Efilm | |
| David Matusek | .... | second assistant editor | |
| Jim Passon | .... | color timer | |
| Robert E. Phillips | .... | digital intermediate assistant producer: EFILM | |
| Larry Engelmann | .... | colorist: dailies (uncredited) | |
Music Department | |||
| Mark Curry | .... | score mixer | |
| David E. Russo | .... | music programmer | |
| Joshua Winget | .... | music editor | |
| Gina Zimmitti | .... | orchestra contractor | |
Altro personale | |||
| Angelique Badenoch | .... | assistant production coordinator | |
| Adam Bagger | .... | assistant: Mr. Smith | |
| Sean F. Barth | .... | product placement | |
| Lara Breay | .... | development executive | |
| Suzie Bruce | .... | production accountant | |
| Anthea Charalambous | .... | assistant to producer | |
| Lisa Fiorito | .... | researcher | |
| Rachael Lin Gallaghan | .... | production coordinator: additional photography | |
| Judy Hallin | .... | production coordinator | |
| Kelly Head | .... | petty cash accountant | |
| Brock LaBorde | .... | assistant to producer | |
| Jacinta Leong | .... | modeller: 3D CAD modelling | |
| Antoinette O'Neill | .... | script supervisor | |
| Russell Steele | .... | financial controller: USA | |
| Shelly Strong | .... | production executive | |
| Ryan Verbruggen | .... | assistant: Mr Khondji | |
| Michael Wolstenholme | .... | accounting assistant | |
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For some reason I can't see that people who have not read the novel by Scott Smith will enjoy this adaptation as much as those who have not, but nonetheless all will find this horror thriller extremely satisfying, especially gore lovers.
Amy, Jeff, Stacy and Eric (Jena Malone, Jonathan Tucker, Laura Ramsey, and Shawn Ashmore) are on vacation in Mexico, relaxing and drinking by the beach and poolside before they all go their separate ways to college. When they meet a German named Mathias who needs to visit a site of ancient ruins in the jungle to find his missing brother, the vacationers, although reluctant, decide to tag along and have some fun on their last day. Boy did they have the wrong idea.
Soon after they find the foreboding hidden path deep in the jungle, they stumble upon an abandoned archaeological dig amidst an ancient pyramid covered in vegetation. The local Mayans show up and after they shoot one of the other tagalongs and force the group up the trail, keeping guard around the pyramid, it becomes clear that the vacationers are being held hostage. Fear, hunger, and insanity begin to set in as over a three day period the group's mentalities begin to diminish. One by one, they fall prey to the evil vines that reside on the ancient ruins and it slowly becomes clear that they're probably not going to make it out of Mexico alive. Does this sound stupid? Sure. Killer vines, that's laughable. But during their stay you slowly begin to realize this isn't funny at all. It's hardcore chilling, and the vines are nothing to laugh at. They're used to a terrifying effect, especially in a chilling scene when Amy and Stacey descend into the pyramid and the vines try to kill them.
As far as quality, the acting is top notch, especially from Jena Malone and Laura Ramsey. Ramsey's Stacy suffers the worst physical harm and her performance is the best as she clearly goes insane when some nasty vines nestle in under her skin. All of the actors are exceptional and the audience will feel very attached. It's especially hard to watch when they start dying. These are real people in a horrifying situation. This isn't a mild horror film, it pulls no punches. It's straightforward, and although it is about killer flowers, it's as good as a horror movie can get, and the tension that director Carter Smith builds through the great pacing is unbearable. Kudos also goes to Jena Malone, who has broken free of her childhood performances and is getting into much more mature work. She is promising here.
I won't spoil the outcome of the character's fates but I will say for fans of the novel that the story is twisted around somewhat. Scott Smith adapted this from his book. The same events basically happen, but he's switched up his characters and the end starts to stray further and further from his novel. That's not to say that it doesn't work, for I think that it makes the experience better, you can go in expecting some new scares even if you've read the harrowing novel. I was supremely pleased at this take on the horrifying story and I was surprised to find myself shaken when it was over, particularly during the grueling scene when Stacy cuts into herself repeatedly with a hunting knife to pull out vines. This is one of the most unsettling scenes depicted in a horror film recently. You won't forget "The Ruins" and it's one of the best horror movies in a long time.