When Hiccup and Toothless discover an ice cave that is home to hundreds of new wild dragons and the mysterious Dragon Rider, the two friends find themselves at the center of a battle to protect the peace.
In order to power the city, monsters have to scare children so that they scream. However, the children are toxic to the monsters, and after a child gets through, 2 monsters realize things may not be what they think.
The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
Long ago up North on the Island of Berk, the young Viking, Hiccup, wants to join his town's fight against the dragons that continually raid their town. However, his macho father and village leader, Stoik the Vast, will not allow his small, clumsy, but inventive son to do so. Regardless, Hiccup ventures out into battle and downs a mysterious Night Fury dragon with his invention, but can't bring himself to kill it. Instead, Hiccup and the dragon, whom he dubs Toothless, begin a friendship that would open up both their worlds as the observant boy learns that his people have misjudged the species. But even as the two each take flight in their own way, they find that they must fight the destructive ignorance plaguing their world. Written by
Kenneth Chisholm (email@example.com)
The appearance and personality of Toothless was inspired by cats, dogs, and horses. The face also bears some resemblance to the giant salamander, the largest amphibian in the world. The shape of his face is also reported to have been based on the face of Stitch from Lilo & Stitch (2002), also directed by Chris Sanders and Dean DeBlois. See more »
The Vikings' accent is Scottish, not Scandinavian. However, the Vikings settled large portions of Scotland, including the Inner Hebrides where the fictitious colony of Berk is shown to be located, and this is the movie's way of reminding us of this. See more »
This is Berk. It's twelve days north of Hopeless and a few degrees south of Freezing to Death. It's located solidly on the Meridian of Misery. My village. In a word? Sturdy. It's been here for seven generations, but every single building is new. We have fishing, hunting, and a charming view of the sunsets. The only problems are the pests. You see, most places have mice or mosquitoes... We have...
[aloud, as he slams the door against an attacking Monstrous Nightmare]
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The ending credits of the movie are shown as if seen in a Dragon Manual. See more »
HTTYD is the latest in a run of animated 3D films to hit the family market. One might be forgiven for feeling a little weary of this genre as the big production studios churn out one "action-packed film with a cute central character and some pretty effects" after another. But wait...
HTTYD stands apart from these other attempts for a number of reasons. First, the 3D (Odeon digital in this screening) is moving more toward the subtle with fewer "gratuitous" 3D moments than in movies like Bolt and Coraline. As 3D becomes a staple of high street cinema, directors seem to be finding 3D to be more about adding depth rather than a brief focal-point. That's not to say that there isn't effective use of the 3D wow-factor here; it's just not all the film has to hold attention.
Second, a cast of voice talent that does not demand too much consideration of the man/woman behind the microphone is refreshing. Baruchel is not over-playing the sugar or the heroics and, as much as an animated character can be, he is believable and as three-dimensional as the visuals. Butler is not greatly stretched here but manages to stay just the right side of a Mike Myers impression so as not to annoy. How many kids will now think the Vikings were a fearsome race of Americans and Scots? Oh, well!
Third, the plot and dialogue. You may not know the plot and I won't spoil it now. It is straightforward stuff but the pace keeps it interesting for kids and the grown-ups. Younger children may be upset at times and I heard a sob or two at the emotional moments. Nothing too heavy here though, it's just a well-written script with as many actual laughs as I have seen in a kids' film.
This is one of the best films so far in this prolific genre and it has been made with passion rather than thrown together to cash-in on the thirst for these films, right now. I would urge all ages to see this film in 3D as the textures are extraordinary and you can't help but be charmed by it all.
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