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Evangerion shin gekijôban: Ha (2009)

Under constant attack by Angels, NERV introduces two new pilots: the mysterious Makinami Mari Illustrous and the intense Asuka Langley Shikinami. Parallel to the incursion, Gendo Ikari and ... See full summary »

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Cast

Credited cast:
...
Additional Voices (voice)
...
Rei Ayanami (voice)
...
Pen Pen (voice)
J. Michael Tatum ...
Ryoji Kaji (voice)
Colleen Clinkenbeard ...
Ritsuko Akagi (voice)
...
Maya Ibuki (voice)
...
...
Ryoji Kaji (voice)
Ian Sinclair ...
Additional Voices (voice)
Greg Ayres ...
Kensuke Aida (voice)
...
Shigeru Aoba (voice)
...
Additional Voices (voice)
...
Additional Voices (voice) (as Tia Ballard)
...
Toji Suzuhara (voice)
...
Kaworu Nagisa (voice)
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Storyline

Under constant attack by Angels, NERV introduces two new pilots: the mysterious Makinami Mari Illustrous and the intense Asuka Langley Shikinami. Parallel to the incursion, Gendo Ikari and SEELE proceed the secret project that involves both Rei and Shinji. Written by Anime News Network

Plot Summary | Add Synopsis

Taglines:

In The War Between Heaven and Earth, Salvation is Machine.


Certificate:

TV-14 | See all certifications »

Parents Guide:

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Details

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Release Date:

27 June 2009 (Japan)  »

Also Known As:

Evangelion 2.22: You Can (Not) Advance  »

Box Office

Opening Weekend:

JPY 505,045,468 (Japan) (28 June 2009)

Gross:

$133,640 (USA) (18 March 2011)
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Company Credits

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Technical Specs

Runtime:

(extended cut) | (theatrical)

Sound Mix:

| (DTS HD Master Audio)| (Dolby TrueHD)

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The release date was pushed back several times from the original announcement of January 2008: first, to a December 2008 release before an update on the official website on October 6, 2008 announced the official English title and a "early summer 2009" release date. A final postponement revealed that the film would be released on June 27, 2009. See more »

Goofs

Azuka is cooking, in the scene there is a pot on the stove, Misato comes to see what happens, from the Misato's POV, Azuka is holding the pot, but in the next shot, the pot is in the same position. See more »

Quotes

Ryoji Kaji: Say, is Colonel Katsuragi around here?
Shinji Ikari: Huh?
Ryoji Kaji: I'm an old friend of hers. I bet we could swap stories about her snoring keeping us up an night. Right, Shinji?
See more »

Crazy Credits

At the end of the credits, there is a scene where EVA-01 is pierced with the LLance of Longinus, thrown by Kaworu Nagisa piloting the Evangelion Mark.06, who says that he will show Shinji "true happiness." See more »

Connections

Remake of Shin Seiki Evangerion (1995) See more »

Soundtracks

Beautiful World -PLANiTb Acoustica Mix
Performed by Hikaru Utada
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
8.5/10 - satisfying
27 June 2010 | by (United Kingdom) – See all my reviews

I watched Evangelion as a teenager and liked many aspects of it. However the series was very weak and repetitive in the middle and clearly suffered production difficulties near the end. The movies didn't do much for me after the initial epic-scope aesthetics of End of Evangelion had worn off. Now more than 10 years later I'm pretty happy that things have been reordered and re-rendered to make the series into what it should really have been in the first place.

I don't like the fact than Anno Hideaki has been able to milk the somewhat unfinished series for so much cash and so many editions (not to mention pachinko machines) so far, but taking 1.0 and 2.0 as stand-alone works (and ignoring their pretentious titles) is pretty satisfying.

Story 8/10 Good: much more than a rehash of the series. The story is fleshed out in some of the most necessary places and feels so much tighter and more concentrated than anything that has come before. Some awesome new snippets of what is to come later in the series add some satisfying excitement.

However, there is still an element of "here comes the next baddie" which gets a little tiresome. It is dealt with much more effectively here than the series, but it's still predictable. Nevertheless, despite giving the impression of being about to enter the full-on "monster of the week" barrage, it never really does, which is a blessed relief. The interactions of the characters are becoming more believable, and individual personalities are being better exposed and explained.

But, and it's a necessary but, what's the deal with the fan-service? Come on, man. Take yourself seriously, won't you? Animation 9/10 Well, it teetered between absolutely superb and a little disappointing. The budget was clearly insanely high. Action sequences are fantastically detailed and choreographed for the main part, although suffer from gratuitous flailing of limbs and ridiculous acrobats which unfortunately dumb it down a little. Backgrounds are simply amazing. The detail and range is incredible. The failings lie in the characters. Sometimes character faces and expressions look out of place by their simplicity. The broad pen pines and over-simple shading are a bit of a let-down.

Sound 7.5/10 Not particularly amazing. Again we see the technique of using a mixture of classical and children's music for depth and vulnerability. I'm surprised at some of the choices though. For example, one of the children's songs used is very popular in Japan and often used in elementary schools. The manner in which it is normally used makes its appearance in the film almost comical; which can't have been the intention. Not really knowing many Japanese people who care that much about anime I haven't been able to ask what they though, but it seemed a bit silly to me.

The Japanese people speaking English throughout the film are incredibly embarrassing. What a huge mis-calculation. How hard is it to train people to say a small number of lines in a natural way? Characters 8.5 Although some of the characters (particularly Asuka) seem to have become even less likable, for the most part the big-hitters have only improved. Although there is little time left for the minor-characters to develop or even really be involved, the well-developed personalities of the leads take somewhat new directions in their relations to one another. The relationship between teen-sap Shinji and his father has a more satisfying and somewhat relatable edge to it now, and Rei's annoyingly hyperbolic meekness has been flatted out to something more forgiving. All in all, satisfying.

And the new lead, Mari, is much better than (at least I) predicted. She has a very interesting relationship with herself, and pain. I am definitely looking forward to her future development.

Eva designs seem to have changed slightly around the waist which was a curious choice, and doesn't add much to their attractiveness. In contrast, the Angels have been changed for the better. The old, sometimes Ultraman-ish designs were sometimes a little... Ultraman-ish. The reduced number and better designs have helped things along well.

Overall 8.5/10 Overall satisfying. For me the film didn't quite have the intensity ascribed to it by others, and the ending I thought actually lacked a little emotional attachment. I also thought that the amazing animation and choreography discussed above wasn't nearly as good near the end as it was earlier in the feature. But despite this, as a whole this movie blows the series out of the water. So much which was unsatisfactory is now shiny and new. Whether or not I would feel this way about the film without having seen the rest of the franchise is anyone's guess, but I really enjoyed it. Good work, keep it up.


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