Enduringly traumatized by the disappearance of her 3-year-old daughter 15 years ago, Julia Sandburg has cut herself off from anyone once near and dear to her, including her husband Doug and...
See full summary »
Dr. Slaughter, a researcher in London who works as a high class hooker in her spare time, becomes a pawn in a dangerous political game, when her latest john Lord Bulbeck, who's negotiating an Arab-Israeli peace treaty, falls for her.
In Germany, as graduate student Katie Armstrong researches cannibal killer Oliver Hagen for her thesis, she becomes obsessed with her subject and ultimately plunges into a lifestyle similar to Hagen's and the thousands of people like him.
When Erica French opts to keep the baby she conceived in high school, she never dreamed that one day she would be fighting for custody against the child's father, Scott Stone. Scott Stone ... See full summary »
Peter loves his next door neighbour Erica and, on the advice of his grandfather, decides to camp out on her front lawn for the entire summer, or until she agrees to go out with him. His ... See full summary »
Enduringly traumatized by the disappearance of her 3-year-old daughter 15 years ago, Julia Sandburg has cut herself off from anyone once near and dear to her, including her husband Doug and her son Chris, who tried for years to penetrate her wall of isolation and despair, without success. But when Julia meets Louise, a troubled young woman with a checkered past, all Julia's old psychic wounds painfully resurface, as does her illogical and increasingly irrational hope that Louise may be the daughter she lost so long ago. Written by
Official Press Release
When Julia's co-worker brings her a coffee to try out from his new coffee machine, he places it on her desk. The shot changes to him a few seconds later. When back to her, the coffee cup is turned 180 degrees - the handle is on the other side, the computer mouse is moved, and a stack of papers near her planner is moved. She did not move all of these things in those few seconds because she is holding some papers that she was reading when he walked into her office. See more »
Written by Stan Getz and Al Haig
Performed by Stan Getz
Published by Prestige Music (BMI)
Courtesy of Prestige Records
Used by permission of Concord Music Group, Inc. See more »
The story of a woman's painful loss and how she copes, or doesn't.
What a surprise. Collipol's comments were right on. I guess people either hated this or loved it. I think it's really about how much we all want love fulfilled, how we cope with catastrophic loss, how far we are willing to go to fill that empty space, and how far the people who love us are willing to support us. Weaver made a wonderful transition from happy mom to a cold, disconnected woman, and back and forth again. Any woman with a "favorite child" or a personal and crippling loss can empathize - but I am astounded by the story and the performances.
The young woman who suckers Weaver is off-putting at first, an instant irritant, but by the end of the movie you really want her to love her new "mom" and you really want Weaver to have the daughter she never got to grow up with. It doesn't matter anymore whether she is or she isn't for reals, they become what they both want. Several scenes touched me so deeply I was stunned. It would have been so easy to make this a thriller, or maudlin, or predictable, but the director did not. It was engaging, mysterious, warm, frightening, very sad, sweet, and very deeply moving. The end was perfect; subtle and let you absorb it all on your own. I thoroughly enjoyed every performance - they all were extremely well thought out, well executed, beautifully written and they all added together for a delicate and meaningful story. Do it again! Please.
12 of 16 people found this review helpful.
Was this review helpful to you?
| Report this