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Dig on the Promo for Night Walker Cinemas Latest The Dinner Guest

Night Walker Cinema is back with their first full length film The Dinner Guest. Check out the new promo and see how you can be a part of something special Nwc is moving up in the world for their latest The Dinner Guest. This film marks the first trek into feature length productions for the relatively green crew and its looking awfully unsettling.
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The Dinner Guest - A Night Walker Cinema Teaser

It's been a long time since we've posted on here and rest assured this is for a great cause! While promoting our previous short film "32" we received the news that it made the Official Selection for the Mascara and Popcorn International Film Festival! We decided to make a promotional teaser for our next venture "The Dinner Guest" which we are premiering exclusively on Indiegogo. Without further adieu, here it is, the debut of our Promo Tea…
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The Guest

The Guest
PARIS -- So similar are the basic ingredients of Laurent Bouhnik's The Guest to those of Francis Veber's 1998 smash hit The Dinner Game that this latest exercise in misanthropic farce might as well have been called "The Dinner Game: Second Helping." There is the same setup (a dinner to which an outsider has been invited), the same source (a successful stage play) and the same pleasure in humiliation. Even one of the stars is the same.

But will the result be the same? In Veber's case, the result was 9 million tickets sold in France alone and $4 million in U.S. boxoffice. Because gastronomic comparisons are inevitable, the verdict must be that Bouhnik's mayonnaise has not quite taken. Or that the souffle has only partly risen to the occasion. Audiences who do not require anything too substantial nor mind a slightly acid taste might find the fare reasonably palatable.

After three years of unemployment, packaging executive Gerard (Daniel Auteuil) is offered a foreign posting in Indonesia. To clinch the deal, he is persuaded to invite the boss (Hippolyte Girardot) to dinner. His wife, Colette (Valerie Lemercier), who has no culinary or indeed any other skills, panics and allows their upstairs neighbor Alexandre (Thierry Lhermitte), a communications guru, to advise them on what to wear, how to decorate, how to greet a guest and how generally to create a favorable impression with a new employer.

Because Gerard and Colette are wholly deficient when it comes to socializing and have atrocious taste in anything to do with art or fashion, Alexandre -- an unbearable know-it-all -- has his work cut out. He knocks them into the best shape he can by organizing a practice session in which he plays the role of the boss to the hapless Gerard.

On the fateful evening, the boss arrives bearing a bouquet of flowers that, because Gerard has ordered flowers from the local florists, gives rise to all sorts of identity confusion. Alexandre, meanwhile, is receiving the unwelcome attention of Sophia (Mar Sodupe), the attractive young concierge with whom he had earlier enjoyed a one-night stand.

This is all very Gallic and farcical enough to pass muster. As in the Veber movie, much of the humor depends on social and cultural snobbery. Gerard's idea of a good time is an evening spent with his train set, which occupies every spare space in the apartment. Meanwhile, for Colette, high culture means Pavarotti singing in a football stadium.

As a result, none of the characters is particularly appealing, and the movie's main selling point is its encouragement to audiences to feel superior to its lumpen middle-class protagonists. There are enough decent jokes to enable them to do this, though Bouhnik and screenwriter David Pharao (adapting his own play) lack Veber's sharpness and sardonic wit.

No film featuring Auteuil and Lemercier can be anything less than watchable (though both actors might have been better employed elsewhere). Lhermitte, who starred as the snobbish host in Dinner Game, can play this kind of role in his sleep.

The decision by the distributors to release the movie without a press screening suggests a lack of confidence in its reception by the critics. But then, the pundits were pretty sniffy about Dinner Game too.


EuropaCorp, TF1 Films Prods.


Director: Laurent Bouhnik

Screenwriter: David Pharao

Producers: Maurice Illouz, Pierre-Ange Le Pogam

Director of photography: Jean-Paul Agostini

Production designer: Jacques Bufnoir

Costume designer: Joana George-Rossi

Editors: Frederic Thoraval, Herve de Luze


Gerard: Daniel Auteuil

Colette: Valerie Lemercier

Alexandre: Thierry Lhermitte

Pontignac: Hippolyte Girardot

Bonnot: Artus de Penguern

Fournier: Pascale Denizane

Sophia: Mar Sodupe

Running time -- 82 minutes

No MPAA rating

See also

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