Eight years after the Joker's reign of anarchy, the Dark Knight, with the help of the enigmatic Selina, is forced from his imposed exile to save Gotham City, now on the edge of total annihilation, from the brutal guerrilla terrorist Bane.
Set within a year after the events of Batman Begins, Batman, Lieutenant James Gordon, and new district attorney Harvey Dent successfully begin to round up the criminals that plague Gotham City until a mysterious and sadistic criminal mastermind known only as the Joker appears in Gotham, creating a new wave of chaos. Batman's struggle against the Joker becomes deeply personal, forcing him to "confront everything he believes" and improve his technology to stop him. A love triangle develops between Bruce Wayne, Dent and Rachel Dawes. Written by
Jerry Robinson, one of the original creators of the Joker back in 1940, was hired as a consultant on the film (the Joker is to be portrayed according to his first two appearances in the comics, which Robinson was involved in). His "Batman" co-creator Bob Kane had earlier been hired as a consultant for Batman (1989). See more »
Many cameras were used to shoot the scene where Wayne's Lamborghini blocks the pickup from ramming the SUV carrying Gordon. CGI was used to remove them in post. However, the IMAX cam that was on the chase vehicle actually hit the bed of the pickup. In the overhead shot, watch the pickup's stake pocket behind the driver's door. The dent from the camera strike suddenly appears even though the camera has been removed. See more »
[with Chuckles, picks up Bozo on the street]
Three of a kind, let's do this!
Huh, that's it? Three guys?
Plus two guys on the roof. Every guy gets a share. Five shares is plenty.
*Six* shares. Don't forget the guy who planned the job.
He thinks he can sit it out and still take a slice? I know why they call him "The Joker".
[up on the roof, breaking open the alarm box with Dopey]
So why do they call him "the Joker"?
I hear he wears makeup.
Yeah, to scare people. You know, war ...
[...] See more »
The DC logo contains two comic-book images: a shot of the Riddler, and picture of Batman punching him out. See more »
We've been subjected to enormous amounts of hype and marketing for the Dark Knight. We've seen Joker scavenger hunts and one of the largest viral campaigns in advertising history and it culminates with the actual release of the movie.
Everything that's been said is pretty much spot on. This is the first time I can remember where a summer blockbuster film far surpasses the hype.
For as much action as there is in this movie, it's the acting that makes it a great piece of work. Between all the punches, explosions and stunt-work is some great dialog work. All the actors have their moments.
Bale's Batman is the definitive Batman because we see everything in this character finally on film. Martial arts skills, cunning, great tactical thinking, forensic application, technological genius to advance or improve Luscious Fox's inventions/technological breakthroughs, intimidating personality, and even a little swashbuckling.
As for Heath, yes he gets credit for his performance as the Joker. But you have to also recognize Jonathan and Chris Nolan for the writing and treatment of the character. It's not just the fact that Ledger makes the Joker so menacing, but the Nolans have given the character this great manifesto that drives its actions. The Joker's stance on chaos, order, anarchy, the morality of the average modern human being make the character so interesting psychologically. The Nolans drafted a complex character and only a perfect performance could've pulled something like this off. That's how difficult of a role this was, and that's why Ledger's performance is so great.
This isn't an action movie. It's a film that explores literary themes of the hero and villain, as well as order and anarchy. Yes, listen to the dialog because it's all in there.
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